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Chapters (44)
  1. Cover
  2. Title Page
  3. Dedication
  4. Chapter 1
  5. Chapter 2
  6. Chapter 3
  7. Chapter 4
  8. Chapter 5
  9. Chapter 6
  10. Chapter 7
  11. Chapter 8
  12. Chapter 9
  13. Chapter 10
  14. Chapter 11
  15. Chapter 12
  16. Chapter 13
  17. Chapter 14
  18. Chapter 15
  19. Chapter 16
  20. Chapter 17
  21. Chapter 18
  22. Chapter 19
  23. Chapter 20
  24. Chapter 21
  25. Chapter 22
  26. Chapter 23
  27. Chapter 24
  28. Chapter 25
  29. Chapter 26
  30. Chapter 27
  31. Chapter 28
  32. Chapter 29
  33. Chapter 30
  34. Chapter 31
  35. Chapter 32
  36. Chapter 33
  37. Chapter 34
  38. Chapter 35
  39. Chapter 36
  40. Chapter 37
  41. Chapter 38
  42. Chapter 39
  43. Chapter 40
  44. About the Author

“Stu was shallow,” she said. “That’s why he couldn’t act his way out of a paper bag.” Wagging a finger at me. “He wasn’t greedy. The only time he wanted to see Phil was after he got sick with cancer. Not to make trouble, just to see him. I took Phil to lunch at Spago. Stu had a table across the room. Stu was a ghost, didn’t look like himself anymore. Philly and I had a lovely meal. Foie gras mousse on kumquat tart.” Licking her lips. “Fava bean bruschetta … Stu picked at a salad. He left first. Our eyes met. He blew me a kiss when Philly wasn’t looking. A week later, he was gone.”

“Peaceful passing,” I said. “Private room at the actors’ hospice.”

“You bastard! You’ve excavated us?”

“More like surface digging. I found a picture of you and Mark at a fund-raiser for the hospice. Found Stu’s obituary in Variety.”

“All that smoking we did on screen,” she said. “It’ll probably do me in one day.” She laughed. “When the boys were real little, before I told Mark, Phil had always been his favorite. Bigger than Frankie, stronger, more athletic. ‘The kid’s Hercules, Lee, where the hell’d he come from?’ And I’d chuckle along with him. Then I’d go off to my room and cry.”

She demonstrated, let the tears flow silently. Maybe it was Method Acting. It seemed real. I could’ve felt sorry for her. If she was another person.

I said, “Did Mark’s attitude change after he knew?”

“Not one bit,” she said. “Mark was a prince.”

“A prince who betrayed you.”

The tears ceased. She made an ugly, guttural sound.

I said, “You orchestrated Mark’s retirement, figured with enough fun for all, maybe he’d relax and take you on a damn cruise. Unfortunately, just the opposite happened. Mark veered from the script and improvised. He grew to like Tiara. She amused him. Even her fake British accent amused him. He started to see her as more than a sex toy and began sneaking around you. Funneling her more money than you’d agreed upon. Gave her a diamond watch way above her pay grade. And Stevie Muhrmann was no better, going along with it. A bigger cut for Tiara meant a bigger cut for him. The problem with improv, though, is that actors can run amok. A director’s worst nightmare. But you never saw how serious the problem was until Mark had the poor judgment to die unexpectedly and you had the even worse judgment to cut off Tiara’s funds.”

“I’m the bank?” she said. “Fuck her.”

“Actually, you were the bank, Leona. And banks run into problems when they’re faced with Too Big to Fail. Which is exactly how Tiara had come to see herself. Because Prince Mark had armed her with a ton of leverage by divulging Phil’s paternity.”