Back Murder 101
Chapters (45)
  1. Dedication
  2. Contents
  3. Chapter 1
  4. Chapter 2
  5. Chapter 3
  6. Chapter 4
  7. Chapter 5
  8. Chapter 6
  9. Chapter 7
  10. Chapter 8
  11. Chapter 9
  12. Chapter 10
  13. Chapter 11
  14. Chapter 12
  15. Chapter 13
  16. Chapter 14
  17. Chapter 15
  18. Chapter 16
  19. Chapter 17
  20. Chapter 18
  21. Chapter 19
  22. Chapter 20
  23. Chapter 21
  24. Chapter 22
  25. Chapter 23
  26. Chapter 24
  27. Chapter 25
  28. Chapter 26
  29. Chapter 27
  30. Chapter 28
  31. Chapter 29
  32. Chapter 30
  33. Chapter 31
  34. Chapter 32
  35. Chapter 33
  36. Chapter 34
  37. Chapter 35
  38. Chapter 36
  39. Chapter 37
  40. Chapter 38
  41. About the Author
  42. Also by Faye Kellerman
  43. Credits
  44. Copyright
  45. About the Publisher

“No, not Matisse. I know who he is and this is definitely not Matisse. It’s H. Matusse.” He spelled all the names. “Like I said they’re all pretty landscapes of what looks like New England.”

“Hold on. I’ll give the list to Harvard and he’ll look the artists up.”

McAdams stowed his phone. “Ken Sobel’s not in. I told him to call you.”

“Could you look up these names,” Decker said. “See if these artists are worth anything? I’ll put the phone back on speaker.”

McAdams regarded the names. “Captain, are the paintings landscapes?”

“Yes, they are. You know the artists?”

“I certainly know Thomas Cole and Asher Durand. They’re well-known Hudson River Valley painters.”

“Yeah, it does look like the Valley,” Radar said. “What are the paintings worth?”

“How big are they?”

“Small. Eight by ten . . . a few a bit bigger.”

“Okay, so probably not major works. They’re still worth in the thousands. More like four figures rather than five although Thomas Cole can be pricey. But that’s usually the big canvases. I’ve also heard of Gifford. Hold on . . .” He clicked. “Okay, he’s Sanford Robinson Gifford. Also worth something. The H. Herz is probably Hermann Herzog.”

“Where are you finding all this information?” Oliver asked.

“Ask Art. It’s an art website that, among other things, has auction histories. And speaking of which, there are no auction histories for K. Kennedy or H. Matusse or Jasper Pressley.” He looked up. “Too bad it wasn’t Matisse. That could be worth killing over.”

“If you like that kind of stuff,” Radar said. “Thanks, Tyler. This helps. We’ll be sorry to lose you in August.”

“Not as sorry as I am to go. This detective stuff isn’t half bad—aside from the bullet wounds.”

Oliver saw a car pull out and abruptly swerved to get the parking space. The car bumped and jostled. He backed in amid an angry chorus of blaring horns.

McAdams said, “Done like a true New Yorker.”

Decker said, “We’re almost at Victor Gerrard’s apartment. I’ll keep you posted.”

“Thanks.” Radar paused. “Good work, everyone. And keep safe.”

Oliver killed the motor. “Shall we?”

But McAdams was playing on his phone. “The Thomas Cole and the Asher Durand were stolen from the Auxiliary Ladies’ Club in Joslyn, Rhode Island.”

“Art Loss Register?”

“Yep. Let me look up the club. It’s gonna take a minute.”

“You got any more coffee in the box, Deck?” Oliver asked.

“I do. Black?”

“That’s fine.”