Chapters (45)
- Dedication
- Contents
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- About the Author
- Also by Faye Kellerman
- Credits
- Copyright
- About the Publisher
“Somebody put money into these headstones.” Decker stood up and inched the light up and across the walls until he reached the windows. They stood about ten feet above the floor. Hanging just under the dome in the upper four windows were stained-glass panels. Decker didn’t notice them when he first came in because it was dark. He illuminated each panel with his flashlight, letting the beam rest on each for a minute or so before moving onto the next one. They probably sparkled beautifully in the daylight.
“It’s the four seasons.” Decker turned to McAdams. “See, that one’s winter, that’s spring, and summer and autumn.” He regarded the kid. “I think they were custom made.” He turned to Pellman. “Have those stained-glass windows always been inside the crypt?”
“For as long as I’ve been here and even before.”
Decker turned to the kid. “What do you think?”
McAdams shone his light on the four panels. “My mother has some Tiffany lamps. I’m not saying they are Tiffany, but it looks like good quality.”
“Agreed,” Decker said.
“You do know that the company made stained-glass windows for religious purposes.”
“Go on.”
“Just that the studio made a lot of devotional items for churches and synagogues. Do you know Manhattan at all?”
“Not too well.”
“There’s a famous synagogue on Fifth Avenue that has an original Tiffany. As does the Portuguese synagogue on the west side.”
“Courtesy of your ex-Jewish girlfriend?”
“You have a honed mind, Old Man. The studio also made windows for wealthy people’s mausoleums. So if they were real, I wouldn’t be surprised.”
“Could you tell if those are Tiffany or not?”
“Not at this distance. You could look for a signature, but that can be forged. It happened all the time. Mostly you tell by quality.”
Decker turned to Pellman. “Do you have a ladder?”
“Not on me, but I can get you a ladder.”
“Thank you. That would help.”
“Be right back.”
After he left, McAdams said, “Why in the world are you climbing up there? Are you that bored with the job?”
“Harvard, it always helps to get up close and personal. I’ll do the climbing, you just hold the ladder.” The two men didn’t speak. McAdams was fidgety. Decker said, “You okay?”
“Kinda creepy in here.”
“Yeah, cemeteries are a little spooky.” Decker paused. “Not this place, though. Someone took the time to make it pretty.”
Pellman came back with the ladder. “Here you go.”
Decker handed him his big, bulky battery pack flashlight and took his smaller light. He started climbing toward the windows. “Guys, shine the lights on the window, okay? I want to see them up close.”
The two men focused the light on the “autumn” stained-glass window. It was about fourteen by twenty inches in size and was hanging from two chains that were hooked into the ceiling.
“Is there a signature,” McAdams shouted.