It was hardly a man’s house, and it did strike me that to live there would be rather like taking up one’s abode in a period room at a museum. Mr. Pye’s principal enjoyment in life was taking people round his house. Even those completely insensitive to their surroundings could not escape. Even if you were so hardened as to consider the essentials of living a radio, a cocktail bar, a bath and a bed surrounded by the necessary walls. Mr. Pye did not despair of leading you to better things.

His small plump hands quivered with sensibility as he described his treasures, and his voice rose to a falsetto squeak as he narrated the exciting circumstances under which he had brought his Italian bedstead home from Verona.

Joanna and I being both fond of antiquities and of period furniture, met with approval.

“It is really a pleasure, a great pleasure, to have such an acquisition to our little community. The dear good people down here, you know, so painfully bucolic—not to say provincial. They don’t know anything. Vandals—absolute vandals! And the inside of their houses—it would make you weep, dear lady, I assure you it would make you weep. Perhaps it has done so?”

Joanna said that she hadn’t gone quite as far as that.

“But you see what I mean? They mix things so terribly! I’ve seen with my own eyes a most delightful little Sheraton piece—delicate, perfect—a collector’s piece, absolutely—and next to it a Victorian occasional table, or quite possibly a fumed oak revolving bookcase—yes, even that—fumed oak.”

He shuddered—and murmured plaintively:

“Why are people so blind? You agree—I’m sure you agree, that beauty is the only thing worth living for.”

Hypnotized by his earnestness, Joanna said, yes, yes, that was so.

“Then why,” demanded Mr. Pye, “do people surround themselves with ugliness?”

Joanna said it was very odd.

“Odd? It’s criminal! That’s what I call it—criminal! And the excuses they give! They say something is comfortable. Or that it is quaint. Quaint! Such a horrible word.”

“The house you have taken,” went on Mr. Pye, “Miss Emily Barton’s house. Now that is charming, and she has some quite nice pieces. Quite nice. One or two of them are really first class. And she has taste, too—although I’m not quite so sure of that as I was. Sometimes, I am afraid, I think it’s really sentiment. She likes to keep things as they were—but not for le bon motif—not because of the resultant harmony—but because it is the way her mother had them.”

He transferred his attention to me, and his voice changed. It altered from that of the rapt artist to that of the born gossip.

“You didn’t know the family at all? No, quite so—yes, through house agents. But, my dears, you ought to have known that family! When I came here the old mother was still alive. An incredible person—quite incredible! A monster, if you know what I mean. Positively a monster. The old-fashioned Victorian monster, devouring her young. Yes, that’s what it amounted to. She was monumental, you know, must have weighed seventeen stone, and all the five daughters revolved round her. ‘The girls’! That’s how she always spoke of them. The girls! And the eldest was well over sixty then. ‘Those stupid girls!’ she used to call them sometimes. Black slaves, that’s all they were, fetching and carrying and agreeing with her. Ten o’clock they had to go to bed and they weren’t allowed a fire in their bedroom, and as for asking their own friends to the house, that would have been unheard of. She despised them, you know, for not getting married, and yet so arranged their lives that it was practically impossible for them to meet anybody. I believe Emily, or perhaps it was Agnes, did have some kind of affair with a curate. But his family wasn’t good enough and Mamma soon put a stop to that!”