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Chapters (65)
  1. Annotation
  2. Moonseedby Stephen Baxter
  3. DRAMATIS PERSONAE
  4. PART IBIG WHACK
  5. PART IIARD TOR
  6. 1
  7. 2
  8. 3
  9. 4
  10. 5
  11. 6
  12. 7
  13. 8
  14. 9
  15. 10
  16. 11
  17. 12
  18. 13
  19. 14
  20. 15
  21. 16
  22. 17
  23. PART IIIEARTH
  24. 1
  25. 2
  26. 3
  27. 4
  28. 5
  29. 6
  30. 7
  31. 8
  32. 9
  33. 10
  34. 11
  35. 12
  36. 13
  37. 14
  38. 15
  39. 16
  40. 17
  41. 18
  42. 19
  43. 20
  44. 21
  45. 22
  46. 23
  47. 24
  48. 25
  49. 26
  50. PART IVMOON
  51. 1
  52. 2
  53. 3
  54. 4
  55. 5
  56. 6
  57. PART VBOTTLENECK
  58. 1
  59. 2
  60. 3
  61. 4
  62. 5
  63. 6
  64. PART VINADEZHDA
  65. AFTERWORD

It was moments like this that made her realize what NASA was really all about: it was forty years old now, a well-entrenched piece of Government bureaucracy, where ceremonies like this were an essential part of motivation, the little plaques and medals and in-jokes a measure of the development of your career.

All the applauding NASA managers here seemed to be white males, it struck her, even though the astronauts, the showcase, were a reasonable mix of ethnicity, creed and sex. Many of the managers were of that sleek rotundity that comes to men of bulk and stature in such positions. Men of influence. She looked at Harry Maddicott, for instance. With his jowls grey and dragged down by gravity, it was difficult to remember that he had only been in his twenties during the era of flower power. How had he looked then? And yet now he had seamlessly become the kind of man who seemed to emerge from each generation to run the country, as long as Geena had been alive, and probably a lot longer before.

The inevitability of her own likely metamorphosis with age, into some female equivalent of Maddicott, depressed her. Well, Henry probably thinks I’m there already.

She tried to pay attention to the continuing presentations There was a slide-and-video show of highlights of the mission. Images of the Mission Control Center here at JSC, guys sitting at their blue workstations with their jackets over the backs of their seats, scratching their bellies and working with mind-numbing slowness. The Shuttle’s docking with Station was more fun to watch, with intercuts between computer graphics of the converging spacecraft and the Station docking adapter making a slow geometric sense, the Shuttle flying up an invisible cone to its target, the black dots of the adapter’s Space Visioning System which helped the computers bring the huge spacecraft together. But this too proceeded with glacial slowness, the two huge machines converging at no more than an inch a second.

Now there were pictures from their stay in orbit on Station, usually of an astronaut — sometimes herself — struggling with some incomprehensible piece of equipment in a cluttered interior.

Here was Bonnie Jones, the other woman on the crew, floating around the Shuttle with her long greying hair loose and in a fan around her As a crewmate, that had driven Geena quickly crazy. Of course the media outlets loved it; Henry told her there had been at least two daily occurrences of “bad hair day” jokes. Later in the mission, Bonnie had tied her hair into a rope-like ponytail, which swung around behind her. The novelty of that wore off after the first crew member got a hairy slap in the face.

Geena was, of course, all for equal access to space. But she thought women like Bonnie ought to cut their damn Barbie-doll tresses to a crewcut for the duration; that wasn’t such a sacrifice.