Back Moon Over Soho
Chapters (23)
  1. Other Books by This Author
  2. Title Page
  3. Copyright
  4. Dedication
  5. Contents
  6. Acknowledgments
  7. Epigraph
  8. Chapter 1 - Body and Soul
  9. Chapter 2 - The Spice of Life
  10. Chapter 3 - A Long Drink of the Blues
  11. Chapter 4 - One-Tenth of My Ashes
  12. Chapter 5 - The Night Gate
  13. Chapter 6 - The Empress of Pleasure
  14. Chapter 7 - Almost Like Being in Love
  15. Chapter 8 - Smoke Gets in Your Eyes
  16. Chapter 9 - The Forcing House
  17. Chapter 10 - Funland
  18. Chapter 11 - These Foolish Things
  19. Chapter 12 - It Don’t Mean a Thing
  20. Chapter 13 - Autumn Leaves
  21. Chapter 14 - I Woke up this Morning
  22. Historical Note
  23. Cover
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“No,” I said. “It’s being held in place by the egg alone.”

“Is that even possible?” asked Nightingale.

“With Molly’s cooking,” I said, “who knows.”

We both looked around to make sure Molly wasn’t listening. Up until that morning Molly’s repertoire had been strictly British public school: lots of beef, potatoes, treacle, and industrial quantities of suet. Nightingale had explained once, when we were out having Chinese, that he thought Molly was drawing her inspiration from the Folly itself. “A sort of institutional memory,” he’d said. Either my arrival was beginning to change the “institutional memory” or more likely she’d noticed me and Nightingale sloping off for illicit meals with other restaurants.

The eggs Benedict was her attempt to diversify the menu.

I picked up the fork, and the egg, the muffin, and what I assumed was the hollandaise sauce lifted off the plate in one rubbery mass. I offered it to Toby who sniffed it once, whined, and then hid under the table.

There was no kedgeree that morning, or sausages, or any poached eggs not smothered in vulcanized hollandaise sauce, not even toast and marmalade. Obviously the culinary experimentation had so exhausted Molly that the rest of breakfast was off the menu. The coffee was still good, though, and when you’re going over your case files that’s the important thing.

Murder investigations start with the victim because usually in the first instance that’s all you’ve got. The study of the victim is called victimology because everything sounds better with an ology tacked on the end. To make sure that you make a proper fist of this, the police have developed the world’s most useless mnemonic: 5 x WH & H. Otherwise known as Who? What? Where? When? Why? & How? Next time you watch a real murder investigation on the TV and you see a group of serious-looking detectives standing around talking, remember that what they’re actually doing is trying to work out what sodding order the mnemonic is supposed to go in. Once they’ve sorted that out the exhausted officers will retire to the nearest watering hole for a drink and a bit of a breather.

Fortunately for us on the first question—Who is the victim?—Stephanopoulis and the Murder Team had done most of the heavy lifting. Jason Dunlop had been a successful freelance journalist, hence his membership in the Groucho Club. His late father had been a senior civil servant and had sent the young Jason to a second-tier independent school in Harrogate. He’d read English at Magdalen College, Oxford, where he was an undistinguished student before graduating with a matching undistinguished second. Despite this poor academic performance he walked straight into a job at the BBC, where he was first a researcher and then a producer on Panorama. After a stint working for, of all things, Westminster Council in the 1980s, he moved back into journalism writing articles for the Times, the Mail, and the Independent. I leafed through some of the clippings; lots of articles of the you-send-me-on-holiday-I’ll-write-you-a-good-review variety. Family holidays with wife Mariana, a PR executive, and their two golden-haired kids. As Stephanopoulis had told me, the marriage had recently collapsed, lawyers had already been engaged, and custody of the children was an issue.