Responding to the prompts, I entered my mailbox and code numbers.
A journalist iromAl o Police.
A journalist from the Gazette.
A journalist from the CTV evening news.
Disappointed, I deleted the messages and hurried to the women's locker room. After changing into surgical scrubs, I took a side corridor to a single elevator tucked between the secretarial office and the library. Restricted to those with special clearance, this elevator featured buttons al owing only three stops. LSJML. Coroner. Morgue.
I pressed M and the doors slid shut.
Downstairs, through another secure door, a long, narrow corridor
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shoots the length of the building. To the left, an X-ray room and four autopsy suites, three with single tables, one with a pair. To the right, drying racks, computer stations, wheeled tubs and carts for transporting specimens to the histology, pathology, toxicology, DNA, and odontology-anthropology labs upstairs.
Through a smal glass window in each door, I could see that Ayers and Morin were beginning their externals in rooms one and two. Each was working with a police photographer and an autopsy technician.
Another tech was arranging instruments in room three. He would be assisting Santangelo.
And I was on my own.
And Claudel would be here in less than four hours.
Having begun the day down, my mood was descending by the moment.
I continued on to room four. My room. A room special y ventilated for decomps, floaters, mummified corpses, and other aromatics.
As do the others, room four has double doors leading to a morgue bay. The bay is lined with refrigerated compartments, each housing a double-decker gurney.
Tossing my clipboard onto the counter, I pul ed a plastic apron from one drawer, gloves and mask from another, donned them, snagged a smal metal cart from the corridor, and pushed backward through the double doors.
Bed count.
Six white cards. One red sticker.
Six in residence, one HIV positive.
I located those cards with my initials. LSJML-38426. LSJML
38427. LSJML-38428. Ossements. Inconnu. Bones. Unknown.
Normal y, I would have taken the cases sequential y, ful y analyzing one before beginning another. But Detective Delightful was due at one-thirty. Anticipating Claudel's impatience, I decided to abandon protocol, and do a quick age-sex assessment of each set of remains.
It was a mistake I would later regret.
Moving from one stainless steel door to a second, then a third, I selected the same bones I'd viewed in the pizza parlor basement, and wheeled them to room four.
After jotting the relevant information onto a case form, I began with 38426, the bones from Dr. Energy's crate.
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First the skul .
Gracile muscle attachments. Rounded occiput. Smal mastoids.
Smooth supraorbital ridges ending in sharp orbital borders.
I switched to a pelvic bone.
Broad, flaring hip blades. Elongated pubic portion with a tiny, elevated ridge coursing across the bel y side. Obtuse subpubic angle.
Wide sciatic notch.
I checked off these features on the "gender evaluation" page, and penned my conclusion.