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Chapters (46)
  1. Cover
  2. Midnightin theSnow
  3. Dedication page
  4. Prologue
  5. Chapter One
  6. Chapter Two
  7. Chapter Three
  8. Chapter Four
  9. Chapter Five
  10. Chapter Six
  11. Chapter Seven
  12. Chapter Eight
  13. Chapter Nine
  14. Chapter Ten
  15. Chapter Eleven
  16. Chapter Twelve
  17. Chapter Thirteen
  18. Chapter Fourteen
  19. Chapter Fifteen
  20. Chapter Sixteen
  21. Chapter Seventeen
  22. Chapter Eighteen
  23. Chapter Nineteen
  24. Chapter Twenty
  25. Chapter Twenty-One
  26. Chapter Twenty-Two
  27. Chapter Twenty-Three
  28. Chapter Twenty-Four
  29. Chapter Twenty-Five
  30. Chapter Twenty-Six
  31. Chapter Twenty-Seven
  32. Chapter Twenty-Eight
  33. Chapter Twenty-Nine
  34. Chapter Thirty
  35. Chapter Thirty-One
  36. Chapter Thirty-Two
  37. Epilogue
  38. Acknowledgements
  39. ChristmasUNDER THESTARS
  40. TheCHRISTMASSECRET
  41. TheCHRISTMASLIGHTS
  42. TheChristmasParty
  43. Together byChristmas
  44. There’s a Karen Swan book for every season . . .
  45. Midnight in the Snow
  46. Also by Karen Swan

‘My team and I have been shadowing Kit Foley for the past few weeks for our new documentary, following up on the rivalry laid bare between Cory Allbright and Kit Foley in Pipe Dreams. If you’ve seen that film, then you’ll know I have no bias or loyalty towards Kit. My alliances are pretty clear, in fact, to Cory and the Allbrights. However, allegations have been made in recent days that cannot be allowed to go unchallenged.’ She took another breath, willing herself not to rush, her voice to remain steady.

‘. . . Kit Foley is not responsible for beating Amy Killicks. He never raised a hand against her. The images first printed in the Sydney Herald were taken by Kit himself, after Amy had been attacked by her boyfriend at the time.’ Clover cleared her throat, seeing the intense focus and incredulity in the reporters’ eyes. They couldn’t get a clean shot of Kit; even a terse ‘no comment’ from him would have been a result. To be getting this . . .

‘Kit took the photographs as evidence. He had been trying to convince Amy to file charges against her former partner, who had been harassing and stalking her. I have further images here’ – with a shaking hand, she held up the sheets Beau had printed for them to see – ‘which weren’t published, and which show Amy holding up her hair to display the bruises on her back. There would be no reason why she would do this for the person who had caused the bruises; nor would there be any logical reason for the person who had caused them, to document them, as they would act as evidence against him. Additionally, the digital paths of each image show the date and time that they were taken, and also the device used – Kit Foley’s phone.’

She swallowed. ‘You will, I know, ask two questions as a result of this revelation. Why is Amy Killicks lying? And why didn’t Kit Foley defend himself against these allegations? . . . Well, Kit has been trying to protect the memory of Cory Allbright, in the best interests of Cory’s family. His principal concern has always been for Mia Allbright and her three young sons, and he strongly believes that the events behind his much-publicized incident with Cory in the quarter-finals in Peniche, Portugal, were private and should remain so. Kit is still of this opinion.’

Clover steadied herself again. Everything in her wanted to run. Her voice sounded strained. With every word she knew she was throwing her film’s exclusives – and her future career with them – to the wind. ‘However, in light of the stories Amy has sold to the press, worldwide, Cory’s widow has recorded this statement, which she has asked me to play to you . . .’

Clover pressed play on the MP3 file which Johnny had downloaded for her and turned the laptop towards the microphones.