Back Midnight in the Snow
Chapters (46)
  1. Cover
  2. Midnightin theSnow
  3. Dedication page
  4. Prologue
  5. Chapter One
  6. Chapter Two
  7. Chapter Three
  8. Chapter Four
  9. Chapter Five
  10. Chapter Six
  11. Chapter Seven
  12. Chapter Eight
  13. Chapter Nine
  14. Chapter Ten
  15. Chapter Eleven
  16. Chapter Twelve
  17. Chapter Thirteen
  18. Chapter Fourteen
  19. Chapter Fifteen
  20. Chapter Sixteen
  21. Chapter Seventeen
  22. Chapter Eighteen
  23. Chapter Nineteen
  24. Chapter Twenty
  25. Chapter Twenty-One
  26. Chapter Twenty-Two
  27. Chapter Twenty-Three
  28. Chapter Twenty-Four
  29. Chapter Twenty-Five
  30. Chapter Twenty-Six
  31. Chapter Twenty-Seven
  32. Chapter Twenty-Eight
  33. Chapter Twenty-Nine
  34. Chapter Thirty
  35. Chapter Thirty-One
  36. Chapter Thirty-Two
  37. Epilogue
  38. Acknowledgements
  39. ChristmasUNDER THESTARS
  40. TheCHRISTMASSECRET
  41. TheCHRISTMASLIGHTS
  42. TheChristmasParty
  43. Together byChristmas
  44. There’s a Karen Swan book for every season . . .
  45. Midnight in the Snow
  46. Also by Karen Swan

The trophies they had been winning all year were now lined along the middle of the table among the condiments. The new BAFTA mask took pride of place, positioned between the salt and pepper and a bottle of ketchup. (Old-school glass bottle because Matty was a stickler for ‘standards’.)

‘What’s the rush?’ Johnny said. ‘Can’t we just enjoy this for a bit?’

‘You’d think.’ Clover sighed. ‘But sadly not. Liam sprang it on me last night that he wants to debut the next project at Cannes.’

‘What?’ Matty looked horrified. As their researcher-slash-PR and marketing person, it was her job to know the international film festival schedules by rote. She dealt with the paperwork, admin and T&C for each one and as such, she immediately knew this meant an eleven-month turnaround. That was possible for bigger production teams, but for Honest Box, with just the three of them . . . they overlapped on duties to such an extent that their job titles were often more honorary than anything. They each made coffee, ran the post office trips, picked up a camera or sat at the edit decks when required.

Which was just how they liked it. Liam had suggested Clover use some of her budget to grow the team, but she was convinced it was the intimacy of their unit that gave their projects such a distinctive, raw voice. The three of them had all been at Leeds Film School together, although they hadn’t become friends until the final year when they were put together to collaborate on their graduation project. It had been an inauspicious grouping. They were all so different: Johnny, a grungy tech-head who’d been kicked out of boarding school not for the usual drugs or fighting offences, but ‘consistently sleeping in’; Matty, a willowy locksmith’s daughter whose ambition had been sharpened to a point after she’d had to fund her degree working behind the bar, while Clover and her trust-fund friends caroused on the other side of it . . . And yet, these two people she wouldn’t have chosen as friends had quickly become her closest confidants. Now, they too were almost family.

The girls lived ten minutes apart from each other in Battersea, with Johnny ten minutes away by motorbike in Shepherd’s Bush (or ‘Shay Boo’, as Matty liked to call it). There wasn’t much distinction between a work meeting – such as this – and hanging out. It invariably involved lounging around in Clover’s kitchen, sitting on worktops and drawing smiley faces on the misted windowpanes.