"Great Nananne's really dying," she said looking up at me, her green eyes never wavering. "She says there is no one now, and I have to keep these things—her books, her clippings. See, look here, at these clippings. The old newspaper is so brittle it's falling apart. Mr. Lightner's going to help me save these things." She glanced at Aaron. "Why are you so afraid for me, Mr. Talbot? Aren't you strong enough? You don't think it's so bad to be colored, do you? You're not from here, you're from away."
Afraid. Was I really feeling it so strongly? She'd spoken with authority, and I'd searched for the truth in it, but come quick to my own defense and perhaps to hers as well.
"Read my heart, child," I said. "I think nothing of the sort about being colored, though maybe there were times when I've thought that it might have been bad luck in a particular case." She'd raised her eyebrows slightly, thoughtfully. I'd continued, anxious, perhaps, but not afraid. "I'm sad because you say you have no one, and I'm glad because I know that you have us."
"That's what Great Nananne says, more or less," she answered. And for the first time, her long full mouth made a true smile.
My mind had drifted, remembering the incomparable dark-skinned women I'd seen in India, though she was a marvel of different tones, the rich mahogany hair and the pale eyes so visible and so meaningful. I'd thought again that to many she must have looked exotic, this barefoot girl in the flowered shift.
Then had come a moment of pure feeling, which had made its indelible and irrational impression. I'd perused the many faces laid out upon the table, and it had seemed they were all gazing at me. It was a marked impression. The little pictures had been alive all along.
It must be the firelight and the oil lamps, I'd thought dreamily, but I'd been unable to shake the feeling; the little people had been laid out to look at Aaron and to look at me. Even their placement seemed deliberate and sly, or wondrously meaningful, I'd conjectured, as I went smoothly from suspicion to a lulled and tranquil feeling that I was in an audience with a host of the dead.