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Chapters (28)
  1. Merrick
  2. MERRICK
  3. Proem
  4. 1
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  28. 25

There was a bottle of Flor de Caña rum on the little candlestand table beside her. She lifted the glass to her lips, drank from it, and then sat back, continuing to stare off as if she didn't know that I was there.

I stopped at the threshold.

"Darling," I said, "aren't you going to offer me a drink?"

Without so much as turning her head, she smiled.

"You never liked straight rum, David," she said softly. "You're a Scotch man like my old stepfather, Matthew. It's in the dining room. How about some Highland Macallan? Twenty-five years old. That good enough for my beloved Superior General?"

"I should say so, gracious lady," I replied. "But never mind that just now. May I step into your boudoir?" She uttered a small pretty laugh. "Sure, David," she said, "come on in." I was startled as soon as I looked to my left. A large marble altar had been erected between the two front windows, and I saw there the old multitude of sizable plaster saints. The Virgin Mary wore her crown and the vestments of Mount Carmel, holding the radiant Baby Jesus beneath her innocent smile.

Some elements had been added. I realized they were the Three Magi of Christian scripture and lore. The altar was no Christmas crèche, you understand. The Magi or Wise Men had merely been included in a large panoply of sacred figures, more or less on their own terms.

I spied several of the mysterious jade idols among the saints, including one very mean little idol which held its scepter quite ready for duty or attack.

Two other rather vicious little characters flanked the large statue of St. Peter. And there before them lay the green jade hummingbird perforator, or knife, one of the most beautiful artifacts in Merrick's large cache. The gorgeous axe of obsidian which I had seen years ago was given a place of prominence between the Virgin Mary and the Arc Angel Michael. It had a lovely luster in the dim light.

But perhaps the most surprising contents of the altar were the daguerreotypes and old photographs of Merrick's people, ranged thickly as any display upon a parlor piano, the multitude of faces lost in the gloom. A double row of candles burned before the entire array, and there were fresh flowers aplenty, in numerous vases. Everything appeared dusted and quite clean. That is, until I realized that the shriveled hand had its place among the offerings. It stood out against the white marble, curled and hideous, very much as it had seemed when I first saw it long ago.

"For old times' sake?" I asked, gesturing to the altar.