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Contents (83)
  1. ONE
  2. TWO
  3. THREE
  4. FOUR
  5. FIVE
  6. SIX
  7. SEVEN
  8. EIGHT
  9. NINE
  10. TEN
  11. ELEVEN
  12. TWELVE
  13. THIRTEEN
  14. FOURTEEN
  15. FIFTEEN
  16. SIXTEEN
  17. SEVENTEEN
  18. EIGHTEEN
  19. NINETEEN
  20. TWENTY
  21. TWENTY-ONE
  22. TWENTY-TWO
  23. TWENTY-THREE
  24. TWENTY-FOUR
  25. TWENTY-FIVE
  26. TWENTY-SIX
  27. TWENTY-SEVEN
  28. TWENTY-EIGHT
  29. TWENTY-NINE
  30. THIRTY
  31. THIRTY-ONE
  32. THIRTY-TWO
  33. THIRTY-THREE
  34. THIRTY-FOUR
  35. THIRTY-FIVE
  36. THIRTY-SIX
  37. THIRTY-SEVEN
  38. THIRTY-EIGHT
  39. THIRTY-NINE
  40. FORTY
  41. FORTY-ONE
  42. FORTY-TWO
  43. FORTY-THREE
  44. FORTY-THREE
  45. FORTY-FOUR
  46. FORTY-FIVE
  47. FORTY-SIX
  48. FORTY-SEVEN
  49. FORTY-EIGHT
  50. FORTY-NINE
  51. FIFTY
  52. FIFTY-ONE
  53. FIFTY-TWO
  54. FIFTY-THREE
  55. FIFTY-FOUR
  56. FIFTY-FIVE
  57. FIFTY-SIX
  58. FIFTY-SEVEN
  59. FIFTY-EIGHT
  60. FIFTY-NINE
  61. SIXTY
  62. SIXTY-ONE
  63. SIXTY-TWO
  64. SIXTY-THREE
  65. SIXTY-FOUR
  66. SIXTY-FIVE
  67. SIXTY-SIX
  68. SIXTY-SEVEN
  69. SIXTY-EIGHT
  70. SIXTY-NINE
  71. SEVENTY
  72. SEVENTY-ONE
  73. SEVENTY-TWO
  74. SEVENTY-THREE
  75. SEVENTY-FOUR
  76. SEVENTY-FIVE
  77. SEVENTY-SIX
  78. SEVENTY-SEVEN
  79. SEVENTY-EIGHT
  80. SEVENTY-NINE
  81. Acknowledgements
  82. OUT NOW IN PAPERBACK

And today he was here to begin the murder trial of Simon Kash.

The entrance to the court building was unusually secure. Heavy, metal-framed doors led from the street to a security foyer. Lawyers, police officers, defendants and witnesses could pass through. For everyone else, that foyer was as far as they would get.

After all these years the security process was familiar. Knowing what was ahead, Michael could pass through the isolation tubes at the end of the foyer and then the magnetic gate that followed in a matter of seconds, delayed only by the speed of the conveyor belt on the X-ray machine through which he had to pass any bags and belongings.

This morning was no exception. Michael was through the process in under a minute and making his way down the three steps that led to the building’s basement-level elevator bank.

The basement elevator bank was almost identical to the banks on every other floor. Six elevators. Three a side. Ornate but ageing. The only difference was the large wooden door that sat at the far right-hand corner of the bank.

It led to the court’s cell area.

The cells where Michael would today meet Simon Kash for only the second time.

Michael boarded the elevator nearest to the cell-area door and pressed ‘four’. The outdated lift mechanism kicked in and his stomach lurched with the sudden upward movement.

When the doors opened at ‘four’ Michael stepped out and turned left. At the end of the bank – left again – were the antique oak and glass doors that led to the Old Bailey’s robing areas, where barristers changed from their twenty-first-century clothing into the eighteenth-century outfits unique to Britain’s courts.

The doors led to three rooms. The largest by far was the male robing room, directly behind the doors. The others were much smaller. One was the female robing area. It sat on the right, immediately after the main entrance. A recent addition. Or, more accurately, an after-thought. The size of the room practically an insult.

The remaining room was the QC’s robing space, which sat behind an antique oak door at the far end of the male area. It was as small as the female robing room, but in this case the size was justified. QCs were massively outnumbered by junior barristers.

Michael still felt strange going into that last room. He had been coming to the Old Bailey for seventeen years. In all of that time he had used the main robing room. It seemed unnatural to do otherwise, but rules were rules. Especially here.

He took less than five minutes to change clothes, transforming him from modern lawyer to traditionally dressed Queen’s Counsel. The wig was the same as always. The same horsehair he had bought in Ede and Ravenscroft when he was just twenty-one. His wing collar and court bands were also unchanged. But the rest of the outfit was new. In place of his suit jacket was a QC’s court coat; a cross between a waistcoat and a jacket, the three buttons at the end of each upturned sleeve was one of the clearest ways for a QC to be identified on sight. Finishing the costume was a thick, silk QC’s robe instead of the more flowing cotton robe Michael had worn for almost two decades.