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Contents (83)
  1. ONE
  2. TWO
  3. THREE
  4. FOUR
  5. FIVE
  6. SIX
  7. SEVEN
  8. EIGHT
  9. NINE
  10. TEN
  11. ELEVEN
  12. TWELVE
  13. THIRTEEN
  14. FOURTEEN
  15. FIFTEEN
  16. SIXTEEN
  17. SEVENTEEN
  18. EIGHTEEN
  19. NINETEEN
  20. TWENTY
  21. TWENTY-ONE
  22. TWENTY-TWO
  23. TWENTY-THREE
  24. TWENTY-FOUR
  25. TWENTY-FIVE
  26. TWENTY-SIX
  27. TWENTY-SEVEN
  28. TWENTY-EIGHT
  29. TWENTY-NINE
  30. THIRTY
  31. THIRTY-ONE
  32. THIRTY-TWO
  33. THIRTY-THREE
  34. THIRTY-FOUR
  35. THIRTY-FIVE
  36. THIRTY-SIX
  37. THIRTY-SEVEN
  38. THIRTY-EIGHT
  39. THIRTY-NINE
  40. FORTY
  41. FORTY-ONE
  42. FORTY-TWO
  43. FORTY-THREE
  44. FORTY-THREE
  45. FORTY-FOUR
  46. FORTY-FIVE
  47. FORTY-SIX
  48. FORTY-SEVEN
  49. FORTY-EIGHT
  50. FORTY-NINE
  51. FIFTY
  52. FIFTY-ONE
  53. FIFTY-TWO
  54. FIFTY-THREE
  55. FIFTY-FOUR
  56. FIFTY-FIVE
  57. FIFTY-SIX
  58. FIFTY-SEVEN
  59. FIFTY-EIGHT
  60. FIFTY-NINE
  61. SIXTY
  62. SIXTY-ONE
  63. SIXTY-TWO
  64. SIXTY-THREE
  65. SIXTY-FOUR
  66. SIXTY-FIVE
  67. SIXTY-SIX
  68. SIXTY-SEVEN
  69. SIXTY-EIGHT
  70. SIXTY-NINE
  71. SEVENTY
  72. SEVENTY-ONE
  73. SEVENTY-TWO
  74. SEVENTY-THREE
  75. SEVENTY-FOUR
  76. SEVENTY-FIVE
  77. SEVENTY-SIX
  78. SEVENTY-SEVEN
  79. SEVENTY-EIGHT
  80. SEVENTY-NINE
  81. Acknowledgements
  82. OUT NOW IN PAPERBACK

‘What I want is for him to tell us the truth, Jenny. That boy is his own worst enemy. He’s too young and too naive to protect himself from a life sentence, so it’s our job to protect him from himself. And if you have to nudge him in the right direction to do that, well, that’s fine with me.’

EIGHTEEN

Joelle Levy tapped the steering wheel impatiently. The cars moving south along Brixton Road were at walking pace. Perhaps slower. It had been that way for the past fifteen minutes of the journey.

These people must be wondering what’s causing this, Levy thought as she looked at the cars crawling along ahead of her.

Maybe they were, but Levy was not.

The police cordon that was up ahead – not yet within her sight – was doing what they always did: causing people to slow. To take a look. It was a natural human reaction. The traffic was just a by-product.

Her destination – the very corner of Brixton Road and Electric Avenue – wasn’t far. Maybe a quarter of a mile away. But it still took another ten minutes. Far longer than it should, even by the standards of Brixton’s always-slow traffic.

Finally Levy turned left onto Electric Avenue, through the police cordon. She did not need to show her Metropolitan Police warrant card for the tape that blocked the road to be lifted; the closest officer had recognised her on sight. Once through she parked next to the kerb, exited the car and surveyed the scene.

Electric Avenue was both a retail and a market street, named for the fact that it was the first street in London to be lit by electricity. The narrow permanent shops sat on the ground floors of identical, connected three-storey buildings. They ran the length of the long, curved street, on both sides of the road. The lack of any gap between the buildings was unusual; it turned the buildings on each side of Electric Avenue into a single, continuous block.

On any other day these permanent shops would be complemented by market stalls running from the top of the street to the bottom. None were visible today. Electric Avenue had been closed, its makeshift businesses a further victim of the crime that had brought Levy here.

‘They’re in this building over here, ma’am.’

The voice of a police officer Levy did not recognise interrupted her thoughts. Like the flicking of a switch, it focused Levy’s mind.

‘What time did the cordon go up?’ she asked, noting the door number of the building to which the uniformed officer had indicated. It was not necessary. It was the only one open on the street.

‘About two hours ago, ma’am. Shortly after the bodies were found.’

‘Which was what? 7 a.m.? 7.30?’

‘Around then, ma’am, yes.’

‘Then the market stalls must have been out already?’ Levy indicated the now-empty road.

‘Yes, ma’am. We had the stall holders put them away so we could secure the scene.’