Indeed, it was difficult to imagine what life would be like without Lucia, but there was no need to imagine it, for he was experiencing it already. There was nothing to look forward to, and he realised how completely Lucia and her manoeuvres and her indomitable vitality and her deceptions and her greatnesses had supplied the salt to life. He had never been in the least in love with her, but somehow she had been as absorbing as any wayward and entrancing mistress. ‘It will be too dull for anything,’ thought he, ‘and there won’t be a single day in which I shan’t miss her most dreadfully. It’s always been like that: when she was away from Riseholme, I never seemed to care to paint or to play, except because I should show her what I had done when she came back, and now she’ll never come back.’

He abandoned himself for quite a long time to despair with regard to what life would hold for him. Nobody else, not even Foljambe, seemed to matter at all. But then through the black, deep waters of his tribulation there began to appear little bubbles on the surface. It was like comparing a firefly with the huge night itself to weigh them against this all-encompassing darkness, but where for a moment each pricked the surface there was, it was idle to deny, just a spark that stood out momentarily against the blackness. The table, for instance: he would have a tablet fixed on to it, with a suitable inscription to record the tragic role it had played, a text, so to speak, as on a cenotaph. How would Lucia’s last words do? ‘Just wait till we come back.’ But if this was a memorial table, it must record that Lucia was not coming back.

He fetched a writing-pad and began again. ‘This is the table –’ but that wouldn’t do. It suggested ‘This is the house that Jack built.’ Then, ‘It was upon this table on Boxing Day afternoon, 1930, that Mrs Emmeline Lucas, of Grebe, and Miss Elizabeth Mapp, of Mallards –’ that was too prolix. Then, ‘In memory of Emmeline Lucas and Elizabeth Mapp. They went to sea –’ but that sounded like a nursery rhyme by Edward Lear, or it might suggest to future generations that they were sailors. Then he wondered if poetry would supply anything, and the lines, ‘And may there be no sadness of farewell, when I embark,’ occurred to him. But that wouldn’t do: people would wonder why she had embarked on a kitchen table, and even now, when the event was so lamentably recent, nobody actually knew.

‘I hadn’t any idea,’ thought Georgie, ‘how difficult it is to write a few well-chosen and heartfelt words. I shall go and look at the tombstones in the churchyard tomorrow. Lucia would have thought of something perfect at once.’