There was undoubtedly, thought Mapp, as she scudded swiftly homewards alone, a sort of mocking note about quaint Irene’s conversation, which she did not relish. It was full of hints and awkward allusions; it bristled with hidden menace, and even her imitation of Lucia’s baby-talk was not wholly satisfactory, for quaint Irene might be mimicking her imitation of Lucia, even as Lucia herself had done, and there was very little humour in that. Presently she passed the Wyses’ Royce going to Grebe. She kissed her hand to a mound of sables inside, but it was too dark to see if the salute was returned. Her brisk afternoon’s walk had not freshened her up; she was aware of a feeling of fatigue, of a vague depression and anxiety. And mixed with that was a hunger not only for tea but for more information. There seemed to be things going on of which she was sadly ignorant, and even when her ignorance was enlightened, they remained rather sad. But Diva (such a gossip) might know more about this winter exhibition, and she popped into Wasters. Diva was in, and begged her to wait for tea: she would be down in a few minutes.

It was a cosy little room, looking out on to the garden which had yielded her so many pots of excellent preserves during the summer, but dreadfully untidy, as Diva’s house always was. There was a litter of papers on the table, notes half-thrust back into their envelopes, crossword puzzles cut out from the Evening Standard and partially solved: there was her own postcard to Diva sent off that morning and already delivered, and there was a sheet of paper with the stamp of Grebe upon it and Lucia’s monogram, which seemed to force itself on Elizabeth’s eye. The most cursory glance revealed that this was a request from the Art Committee that Mrs Plaistow would do them the honour to send them a couple of her sketches for the forthcoming winter exhibition. All the time there came from Diva’s bedroom, directly overhead, the sound of rhythmical steps or thumps, most difficult to explain. In a few minutes these ceased, and Diva’s tread on the stairs gave Elizabeth sufficient warning to enable her to snatch up the first book that came to hand, and sink into a chair by the fire. She saw, with some feeling of apprehension similar to those which had haunted her all afternoon, that this was a copy of An Ideal System of Callisthenics for those no longer Young, of which she seemed to have heard. On the title page was an inscription ‘Diva from Lucia’, and in brackets, like a prescription, ‘Ten minutes at the exercises in Chapter I, twice a day for the present.’