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Contents ( 51)
  1. Dedication
  2. Contents
  3. Part 1
  4. Bethany Bay
  5. One
  6. Two
  7. Three
  8. Four
  9. Five
  10. Six
  11. Seven
  12. Eight
  13. Part 2
  14. The Var
  15. Nine
  16. Ten
  17. Part 3
  18. Bethany Bay
  19. Eleven
  20. Twelve
  21. Thirteen
  22. Fourteen
  23. Part 4
  24. Bellerive
  25. Fifteen
  26. Sixteen
  27. Part 5
  28. Aix-en-Provence
  29. Seventeen
  30. Part 6
  31. The Var
  32. Eighteen
  33. Part 7
  34. Switchback
  35. Nineteen
  36. Twenty
  37. Twenty-One
  38. Epilogue
  39. Acknowledgments
  40. An Excerpt from THE OYSTERVILLE SEWING CIRCLE
  41. Prologue
  42. P.S. Insights, Interviews & More . . .*
  43. About the Author
  44. Meet Susan Wiggs
  45. About the Book
  46. Reading Group Guide
  47. Jane Green Interviews Susan Wiggs About Map of the Heart
  48. Extraordinary Praise for Susan Wiggs and Map of the Heart
  49. Also by Susan Wiggs
  50. Copyright
  51. About the Publisher

The remote lowlands traversed a place of watery isolation, and the vibe felt entirely different from the pricey suburbs that clung to the western side of the Chesapeake. The road and town names reflected the region’s varied colonial heritage—Native American, Dutch, and English: Choptank, Accomack, Swanniken, Claverack, Newcastle, Sussex.

A series of winding, ever-narrowing roads took him past courthouse towns, fishing villages, and long marshy areas alive with shorebirds. Finally, crossing a narrow neck of land dividing the ocean and the bay, he reached the township of Bethany Bay.

The colonial-era town, with its painted cottages and old-fashioned buildings, had the lived-in look of a seaside village, the landscape and structures battered by wind and weather. Nearly every house had a boat in the yard, a stack of crab pots, and a web of netting hung out for drying or repair. The main street was lined with charming shops and cafés. He passed a waterway labeled EASTERLY CANAL, and a marina filled with pleasure boats and a fishing fleet. Then he followed the beach road along a three-mile crescent clinging to the Atlantic shore.

If he hadn’t been so annoyed at having to drive all the way out here, he might have appreciated the sable-colored sand and rolling surf, the smooth expanse of beach, where pipers rushed along in skinny-legged haste. A few surfers were out, bobbing on the horizon as they waited for a wave. A lone kiteboarder skimmed across the shallows under the colorful arch of his kite. A towering red-capped lighthouse punctuated the end of the beach like an exclamation point.

He was in no mood to savor the small-town charm of the remote spot. He had other things on his mind. Checking the business address on his phone, he came to a clapboard cottage about a block from the lighthouse. Gray with white trim around the small-paned windows, the cozy house had a front and back porch and a chimney on one end. It was surrounded by a picket fence and climbing roses, and a martin house on a tall pole.

He got out of the car, let himself in through the front gate, and promptly stubbed his toe on a garden stone carved with the words J.A. Always in my heart. Grabbing his foot, he let loose with a stream of cusswords he saved only for special occasions. Nothing said “You’re having a bad day” quite like a freshly stubbed toe.

He took a moment to compose himself before approaching the house. Under the brass mailbox was a logo that matched the one on her website—a line drawing of a vintage camera, with the name of her company—Adams Photographic Services.

He saw no car in the driveway. Maybe it was in the garage, an elderly structure with a sliding door on iron rails. He walked up to the front porch and knocked sharply. The air smelled of the sea and blooming roses, and was filled with the sounds of the waves and crying gulls. Two pairs of gardening boots stood on the mat.