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Contents ( 51)
  1. Dedication
  2. Contents
  3. Part 1
  4. Bethany Bay
  5. One
  6. Two
  7. Three
  8. Four
  9. Five
  10. Six
  11. Seven
  12. Eight
  13. Part 2
  14. The Var
  15. Nine
  16. Ten
  17. Part 3
  18. Bethany Bay
  19. Eleven
  20. Twelve
  21. Thirteen
  22. Fourteen
  23. Part 4
  24. Bellerive
  25. Fifteen
  26. Sixteen
  27. Part 5
  28. Aix-en-Provence
  29. Seventeen
  30. Part 6
  31. The Var
  32. Eighteen
  33. Part 7
  34. Switchback
  35. Nineteen
  36. Twenty
  37. Twenty-One
  38. Epilogue
  39. Acknowledgments
  40. An Excerpt from THE OYSTERVILLE SEWING CIRCLE
  41. Prologue
  42. P.S. Insights, Interviews & More . . .*
  43. About the Author
  44. Meet Susan Wiggs
  45. About the Book
  46. Reading Group Guide
  47. Jane Green Interviews Susan Wiggs About Map of the Heart
  48. Extraordinary Praise for Susan Wiggs and Map of the Heart
  49. Also by Susan Wiggs
  50. Copyright
  51. About the Publisher

“We’re going to piece it together,” he said. “The university in Aix has an archive of personal narratives of the war, and I have a classroom full of eager students. We can get them to identify and interview local survivors.”

“My father’s a bit startled by all the fuss.”

“It’s an opportunity for historical inquiry,” Finn said. “I’d rather have my students working in the field than sitting at their computers.” He studied Camille’s face in a way that made her blush, wondering if he knew he’d been the topic of her conversation with Roz and Vivi. “Everything all right?” he asked.

She nodded.

“Julie? She’s having a good time so far?”

She nodded again. “It’s wonderful to see her hanging out with friends again. I worry sometimes about her doing something dangerous, but the kids seem great. She says they just take the bus to the beach and to markets, or they go walking around the village.”

“I used to tell my mom I was going to the library.”

“And you went where, instead?”

“Not the library.”

She picked up the wedding portrait they had found of Lisette and Didier. It was a dead-eyed pose typical of the era, the bride and groom holding themselves stiffly as they stared into the lens of the camera. It was impossible to imagine what was going through Lisette’s head at that moment. Had she been in love with Didier? He certainly looked handsome enough, and proud. Did she share his politics, approve of his decision to throw in his lot with the Germans?

“Do they seem like a fun couple to you?” asked Finn.

She shook her head. “So hard to tell. I always check out the hands—they can tell you a lot, because the subject doesn’t usually think about what the hands are doing. In this shot, hers are holding the bouquet and his are behind his back.”

“Maybe they both had something to hide.”

“I wouldn’t call that a maybe. I’d call it a certainty.”

They were quiet for a few moments. She thought about her conversations with Vivi and Roz. “You were married,” she said.

“So were you.”

“Do you want to talk about it?”

“About as much as you want to talk about your first marriage,” he said.

“Which is not at all.”

“Right. But you have questions about mine.”

“Yes,” she said. “I have questions.”

He spread his arms. “I’m an open book.”

Sure, she thought. “How long were you married?”

“Ten years.”

That laid waste to the theory that he was a commitment-phobe. “And it didn’t work out.”

“I suppose your next question would be why.”

“Listen, if this is too personal, we can change the subject.”

“I like getting personal with you, Camille.”

She couldn’t tell if he was being serious or sarcastic. “Right.”

“Okay, here’s the deal. Ready to get out your tiny violin of pity? My marriage, the condensed version. It was our ten-year anniversary, and I planned a surprise evening—champagne, flowers, a gourmet meal. Friggin’ chocolate that cost a hundred bucks an ounce. Candles that magically didn’t drip. When Emily got home from work and saw the spread, she burst into tears and told me she was pregnant.”