Hannah Owens was unusual not only for her kindness and herbal knowledge, but for the stunning fact that she could both write and read, a rare skill, for a working woman in the country was expected to have no more formal learning than a plow horse and ninety percent were illiterate. Hannah had been an orphan herself, but she had been raised in the scullery of a royal house to do kitchen work, and there the tutor for the family’s sons had taken it upon himself to allow her into the library and teach her to read. As soon as Maria was old enough, Hannah taught her precious talents to the child on stormy nights when the weather was too awful for even the most lovesick women to come to the door. They sat in the light of a lantern and drank cups of Courage Tea, a blend of currants, spices, and thyme, made for protection and healing, a mixture that needed to steep for a long time. It was an elixir that made it clear one should never hide who one was. That was the first step toward courage. In this way, magic began. The crooked black letters looked like nothing more than circles and sticks, and then all at once, after weeks of attention, they became words that took on the shape of cows and clouds and rivers and seas, a miracle on the page, drawn with ink made of oak seeds, or plant sap, or animal blood, or the damp ash of charred bones. There were sympathetic inks that few knew of; a scribe could write with one and it would not be seen until a second ink was used, or when lime juice, milk, or vinegar were brushed onto the paper, and then, after heat was applied, the message would suddenly be visible.

This was true magic, the making and unmaking of the world with paper and ink.