Back Magic Lessons
Chapters (30)
  1. Epigraph
  2. PART ONE Transformations
  3. 1664 I.
  4. 1674 II.
  5. 1679 III.
  6. PART TWO Talisman
  7. 1680 I.
  8. 1685 II.
  9. III.
  10. PART THREE Divination
  11. 1686 I.
  12. II.
  13. III.
  14. PART FOUR The Charm
  15. 1691 I.
  16. II.
  17. III.
  18. PART FIVE The Remedy
  19. 1693 I.
  20. II.
  21. III.
  22. PART SIX Fate
  23. 1696
  24. ACKNOWLEDGMENTS
  25. Magic Lessons by Alice Hoffman
  26. Introduction
  27. Topics & Questions for Discussion
  28. Enhance Your Book Club
  29. A Conversation with Alice Hoffman
  30. ABOUT THE AUTHOR

Most of those who came in search of Faith were illiterate, and the fact that she could not only read and write, but could recite passages in Latin and Greek that she’d taught herself, amazed the women of Gravesend. As it turned out Faith had a prodigious memory and could recall the charms of Agrippa and Solomon that had been written down in Maria’s Grimoire. It was clear that sorcery was second nature to her. In New York magic was not outlawed and magic books were sold on the streets, hidden inside black covers, available at a high price for those willing to pay. It was possible to find copies of The Greater Keys of King Solomon, the conjurations and curses and spells written out by hand, explaining the knowledge and wisdom of that ancient king. The Mystical Alphabet, The Mystical Seal of Solomon, The Pentacles of Solomon, along with The Lesser Key, a Grimoire written by Cornelius Agrippa, a most secret explanation of the mysteries of mankind and nature—all could be found, if one knew where to look. Finney had managed to get his hands on a few of these books, but the prices he quoted to Faith were too dear. She had to depend on her memory and the notes she jotted down in bits and pieces in her black notebook.

I am with the All and the All is within me.

The letters flickered on the page and then disappeared, but when she ran her hand over the parchment she could feel them. In this way, alone and abandoned, shackled by metal cuffs she could not remove and pretending to be someone she was not, she began her practice of the Nameless Art, for one does not have to have the talents of a witch to be called to the Art. She simply has to have the desire to see beyond what is right in front of her.