Back Magic Lessons
Chapters (30)
  1. Epigraph
  2. PART ONE Transformations
  3. 1664 I.
  4. 1674 II.
  5. 1679 III.
  6. PART TWO Talisman
  7. 1680 I.
  8. 1685 II.
  9. III.
  10. PART THREE Divination
  11. 1686 I.
  12. II.
  13. III.
  14. PART FOUR The Charm
  15. 1691 I.
  16. II.
  17. III.
  18. PART FIVE The Remedy
  19. 1693 I.
  20. II.
  21. III.
  22. PART SIX Fate
  23. 1696
  24. ACKNOWLEDGMENTS
  25. Magic Lessons by Alice Hoffman
  26. Introduction
  27. Topics & Questions for Discussion
  28. Enhance Your Book Club
  29. A Conversation with Alice Hoffman
  30. ABOUT THE AUTHOR
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Most of those who came in search of Faith were illiterate, and the fact that she could not only read and write, but could recite passages in Latin and Greek that she’d taught herself, amazed the women of Gravesend. As it turned out Faith had a prodigious memory and could recall the charms of Agrippa and Solomon that had been written down in Maria’s Grimoire. It was clear that sorcery was second nature to her. In New York magic was not outlawed and magic books were sold on the streets, hidden inside black covers, available at a high price for those willing to pay. It was possible to find copies of The Greater Keys of King Solomon, the conjurations and curses and spells written out by hand, explaining the knowledge and wisdom of that ancient king. The Mystical Alphabet, The Mystical Seal of Solomon, The Pentacles of Solomon, along with The Lesser Key, a Grimoire written by Cornelius Agrippa, a most secret explanation of the mysteries of mankind and nature—all could be found, if one knew where to look. Finney had managed to get his hands on a few of these books, but the prices he quoted to Faith were too dear. She had to depend on her memory and the notes she jotted down in bits and pieces in her black notebook.

I am with the All and the All is within me.

The letters flickered on the page and then disappeared, but when she ran her hand over the parchment she could feel them. In this way, alone and abandoned, shackled by metal cuffs she could not remove and pretending to be someone she was not, she began her practice of the Nameless Art, for one does not have to have the talents of a witch to be called to the Art. She simply has to have the desire to see beyond what is right in front of her.

Martha Chase had planted thirty raspberry bushes when they came to Gravesend, but the soil was too sandy, and one by one the plants had withered until there was only one spindly specimen left. Faith had been given her own patch of land, and despite the soil, her garden grew so well it would not keep within the bounds of the fence that kept the rabbits away. Rabbits were everywhere in Brooklyn, and there was a place near the sea where there were so many of the creatures that the land there was called Rabbit Island. There were deer and turkeys and all manner of wading birds and ducks in the marshes, but the land itself was fairly barren. It was a miracle that Faith’s garden was such a marvel. She grew feverfew for health, rose hips and skullcap for healing, lavender for luck. She’d plucked wild black nightshade to start from seed. Martha spied it snaking out of the ground, its black flowers already in bloom. She saw Faith standing among the blossoms, her dyed hair blue-black in the harsh light, her lips moving as she recited an incantation to Hecate, the ancient goddess of magic, who held power over heaven and earth and sea. Martha watched and grasped at her chest. Despite all her efforts she’d come to believe that Faith was permanently infected by her mother’s blood, and even the iron cuffs were not enough to change who she was. The older the girl became, the more convinced Martha became that it was her duty to cure the child of her heritage. The daughter of a witch must be carefully watched. Once she planted nightshade, anything might happen.