Curran leaped and landed on the stairs. Jim with Ghastek was only a step behind.

The flowers opened, releasing a dense corona of thin filaments glowing with pale purple, as if someone had taken the fringes from several passionflowers and strung them together on the same stem.

Andrea reached the stairs, dragged Christopher a few steps up, and let him go. He collapsed.

The vampire glided among the blossoms, silent and quick.

“Don’t kill it,” Ghastek murmured. “I need a ride.”

The flowers shivered. A cream-colored shimmering mist rose from their petals. The vampire stumbled, reared back in complete silence, and collapsed.

“Damn it,” Ghastek swore.

The stalks rustled. Black hairy roots stretched over to the bloodsucker’s body.

“Beautiful,” Christopher whispered. “Mortem germinabit.”

“Come on, Christopher. We have to go.” Andrea hauled him upright and we climbed the stairs.

“I know we’ve been following our own scent trail, but I don’t remember any of this,” Jim said.

“That’s because we didn’t come this way,” Robert said.

“But I remember the two holes we climbed out of on the way up,” Andrea said. “I smelled us. This lobby or whatever it is wasn’t supposed to be here. This should have been a hallway. Are you saying the room moved?”

“We don’t know,” Thomas said.

The stairs ended in another door. Robert eased it open. A typical hotel hallway rolled out before us, complete with long red carpet and numbers on the doors.

“So we have no idea where we’re going?” Nasrin asked.

“We’re going down,” Curran told her. “Unless this place develops its own gravity, the direction shouldn’t be that hard.”

I wouldn’t bet on that.

• • •

FOUR FLOORS LATER the section of Mishmar that was lifted from a hotel ended. We took the stairs, squeezed through a gap in the wall and suddenly the carpeted hotel hallway was gone, replaced by the hardwood floors and open plan of a modern apartment. The walls changed from beige to polished glossy red, rich like the color of arterial blood. The dark gray furniture stood intact, the couch and chairs arranged as if waiting for a party to begin. Even the pots still hung from a baker’s rack above the range. Now how did my father manage that? How does one pick a chunk of a building and set it on top of other buildings without the furniture sliding around? Maybe someone put it all back together after it became a part of Mishmar?

I tried not to think about the sheer power required to sever several floors of a building and lift them hundreds of feet in the air without disturbing the contents. It broke my mind.

We tiptoed across the hardwood. Modern art hung on the walls, a collection of strategically placed streaks of red and white. An open suitcase, half filled with men’s shirts, lay in the middle of the floor, just by where the door should be. A long brown streak stretched across the polished wood toward the missing door. Dried blood.