The botfly had confused flesh and machinery. It had been scanning on wide-spectrum default, where EM signatures shone like diffuse halogen. When the woman in black had been next to the cycler, the botfly had mistaken two intimate signals for one. When she had moved away, it had seen the cycler breaking apart.

This woman veritably gushed EM. There was machinery embedded in her flesh.

Perreault brought up a freeze-frame from the log. All in black, a single-piece form-fitting uniform painted onto the body. Opened around the face, a pale oval containing two paler ovals where eyes should be: tactical contacts, perhaps?

No, she realized. Photocollagen. To see in the dark.

Occasional disfigurements of plastic and metal—a leg sheath, control pads on the forearms, some sort of disk on the chest. And a bright yellow triangle on the shoulder, a logo consisting of two big stylized letters—GA, she saw with a quick enhance—and a smaller line of text beneath, muddied past recognition. A name tag, probably.

GA. That would be the Grid Authority, N'AmPac's power utility. And this woman was a scuba diver, with her breathing apparatus on the inside. Perreault had heard about them; they were in major demand for deepwater work. Didn't need to decompress, or something.

What was a GA diver doing staggering around in the transition zone? And why in God's name had she been feeding from the cycler? You'd have to be starving to eat that stuff, no matter how complete the nutrients were. Maybe the woman had been starving; she'd looked a wreck, she'd barely been able to stand up. Why had she run? Surely she'd known that someone would pick her up once the botfly had spotted her…

Of course she'd known.

Perreault rode the 'fly up a few hundred meters and scanned the ocean. Nothing out there that looked like a support vessel. (A submarine, maybe?) Directly beneath another botfly tracked south on its appointed rounds, a giant metallic beetle untroubled by the mystery that had confounded its predecessor.

And somewhere out there, below the waves, someone in hiding. Not a refugee. Not the usual kind, anyway. Someone who'd crawled ashore, starving, in the wake of an apocalypse. A woman with machinery in her chest.

Or perhaps a machine, with a woman on the outside.

Sou-Hon Perreault knew how that felt.

DEATHBED

He'd made it a point not to track the time. You learned tricks like that, in Lubin's line of work. You learned to focus on the moment and deny the future. He'd tried to work it backward, too, reverse time's arrow and erase the past, but that hadn't been as easy.