Chapters (32)
- Cover
- Title
- Foreword by Michael Wood
- Introduction
- Augusta’s Secret
- Luís Duarte’s Wedding
- The Alienist
- How to Be a Bigwig
- Dona Benedita
- The Loan
- The Most Serene Republic
- The Mirror
- A Visit from Alcibiades
- The Devil’s Church
- Final Chapter
- Posthumous Picture Gallery
- The Chapter on Hats
- Ex Cathedra
- The Academies of Siam
- Fame
- The Gentleman’s Companion
- Mr. Diplomat
- Life!
- The Canon, or the Metaphysics of Style
- The Cane
- Midnight Mass
- Canary Thoughts
- Father Against Mother
- Maria Cora
- The Tale of the Cabriolet
- About The Author
- About The Translators
He sat down again, slowly reread the portrait of Elias, pondering its features. While he lacked the necessary knowledge to evaluate the truth of the sketch, he thought that, in many aspects, at least, the portrait was a true likeness. He compared these iconographic notes, so crude and cold, with his uncle’s warm, elegant manners, and felt gripped by a certain fear and disquiet. What, for example, might his uncle have said about him? With this thought, he again leafed through the manuscript, skimming over various ladies and public men, and came upon Fragoso—an extremely brief sketch that came immediately after Galdino and four pages before João Brás. He remembered that the former had, only a short time before, taken a pen as a memento; perhaps the very pen with which the dead man had drawn his portrait. The sketch was only a few lines long, as follows:
FRAGOSO—Honest, saccharine manners, and handsome. Wasn’t difficult to marry him off; he gets on very well with his wife. I know he adores me—almost as much as he adores himself. Polished, insipid, and commonplace conversation.
GALDINO MADEIRA—The warmest heart in the world and a spotless character, but the qualities of his mind destroy all the others. I lent him some money for family reasons and because money is not something I lack. There is in his brain a hole of some sort, through which his mind slips and falls into a vacuum. He is incapable of three minutes’ consecutive thought. He subsists mainly on images and borrowed phrases. The “teeth of calumny” and other such expressions are his perennial delight—as worn out as the mattress in a cheap boardinghouse. He is easily vexed at cards, and, once vexed, makes a point of losing, making it clear that this was deliberate. He doesn’t dismiss any employees, however bad. If he didn’t have bookkeepers, it’s doubtful he could keep track of his earnings at all. A friend of mine, who is a civil servant, owed him some money for more than two years and used to say to me with a grin that, whenever Galdino saw him in the street, instead of asking for his money, he would ask him how things were going at the ministry.