Back Machado de Assis
Chapters (32)
  1. Cover
  2. Title
  3. Foreword by Michael Wood
  4. Introduction
  5. Augusta’s Secret
  6. Luís Duarte’s Wedding
  7. The Alienist
  8. How to Be a Bigwig
  9. Dona Benedita
  10. The Loan
  11. The Most Serene Republic
  12. The Mirror
  13. A Visit from Alcibiades
  14. The Devil’s Church
  15. Final Chapter
  16. Posthumous Picture Gallery
  17. The Chapter on Hats
  18. Ex Cathedra
  19. The Academies of Siam
  20. Fame
  21. The Gentleman’s Companion
  22. Mr. Diplomat
  23. Life!
  24. The Canon, or the Metaphysics of Style
  25. The Cane
  26. Midnight Mass
  27. Canary Thoughts
  28. Father Against Mother
  29. Maria Cora
  30. The Tale of the Cabriolet
  31. About The Author
  32. About The Translators

I, too, stood up, and asked him to follow me. He paused in astonishment. I saw that only then had he noticed my white trousers, and was staring at them, eyes bulging, mouth agape; after a long pause, he asked why I was wearing those cloth pipes. I replied that it was for reasons of comfort and convenience, adding that our century, more reserved and practical than artistic, had decided to dress in a manner compatible with our sense of decorum and gravity. Furthermore, not everyone could be Alcibiades. I think this flattered him, for he smiled and shrugged.

“In that case . . .”

We made our way to my dressing room, and I quickly began to change my clothes. Alcibiades reclined lazily on a divan, complimenting me on it, the mirror, the wicker chair, and the paintings. As I say, I got dressed quickly, keen to get out of the house and jump in the first cab that passed.

“Black pipes!” he exclaimed.

These were the black trousers I had just put on. He shrieked and laughed, a sort of giggle mingling surprise with scorn, which greatly offended my modern sensibilities. Because, as I’m sure you will agree, sir, while we may consider our own times worthy of criticism, even execration, we do not like it when one of the ancients comes and makes fun of it to our faces. I did not answer the Athenian; I merely frowned a little and carried on buttoning my suspenders. Then he asked me why on earth I wore such an ugly color.

“Ugly, but serious,” I told him. “And observe the elegance of the cut, see how it falls over the shoe, which is patent leather, albeit black, and very shapely too.”

And, seeing him shaking his head, I added:

“My dear friend,” I said, “you can certainly insist that your Olympian Jupiter is the eternal emblem of majesty: his is the domain of ideal, disinterested art, superior to the passing of the ages and the men who inhabit them. But the art of dressing is another matter. What may appear absurd or ungainly is perfectly rational and beautiful—beautiful in our way, for we no longer wander the streets listening to poets reciting verses, or orators giving speeches, or philosophers explaining their philosophies. You yourself, were you to grow used to seeing us, would end up liking us, because—”

“Stop, you wretch!” he yelled, hurling himself at me.