Back Luckenbooth Save as PDF
Chapters (37)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. Part I
  6. Jessie MacRae (21) the arrival
  7. Flora (33) the drag ball
  8. Levi (31) the bone library
  9. Jessie MacRae (21) the second day
  10. Flora (33) After – everyone arrives
  11. Levi (32) the four horsemen of the apocalypse
  12. Jessie MacRae (24) the conclusion
  13. Flora (33) It’s not my cage
  14. Levi (32) fear fir the mermaid
  15. Part II
  16. Ivy Proudfoot (17) the night witches
  17. Agnes Campbell (63) the fraudulent mediums act
  18. William Burroughs (49) the basement
  19. Ivy Proudfoot (17) cupid’s corner
  20. Agnes Campbell (63) the sisters
  21. William Burroughs (49) take me to your word maker so I can plead for my pitiful life
  22. Ivy Proudfoot (17) the palais
  23. Agnes Campbell (63) the devil’s daughter, her lover and the child
  24. William Burroughs (49) this building is a psychic vampire
  25. Part III
  26. Queen Bee (21) the red room
  27. Ivor (37) deathwatch beetles
  28. Dot (27) the death of all the secrets
  29. Queen Bee (21) triads vs rebels
  30. Ivor (37) after all these years
  31. Dot (27) the long walk home
  32. Queen Bee (21) Santa baby, please put a sable under the tree, for me
  33. Ivor (37) ain’t no sunshine when she’s gone
  34. Dot (27) i’m going to leave this city one last time
  35. Epilogue
  36. About the Author
  37. Also by Jenni Fagan

They are spoken about in whispers across the city. They are said to speak a language entirely of their own – a cross between Romani, Doric, and Manc. The men wear tailored trousers, braces, silk-lined waistcoats and heavy stopwatches of 24-carat gold. Each has a delicate chain with a St Christopher, and sovereign rings on every finger. The look is topped with fine, expensive bowler hats from the milliner at Lock & Co. Hatters in London, and each holds an identical bespoke cane. Bee commissioned them. They are beautiful works of craftsmanship, tailored to the client’s instructions. Sometimes it’s a family crest or a personal inscription to a loved one. Bee requested cane heads that twist off, each one slides out to reveal a long, thin dagger. She sips her drink. Teardrops are tattooed below large eyes. Shaved head. Fringe. Dr Martens boots. Black tights. Red lips. Black nails. Velvet shorts. Her shirt is white and she wears a tie. There’s a lipstick in her bag. It has a Stanley blade inside it. There are wet wipes from looking after her babies, cigarettes, Tampax and a small but solid cosh. On one wrist is a feather tattoo. On the other is a Celtic tattoo from the Iceni tribe. They call her Boadicea. It’s not her real name. In close company she is referred to as Bee. Only a few strangers actually know her real name and it is not good for them if they do.

The Red Room is quiet. A cluster of regulars, a few local businessmen, two tourists.

The energy shifts subtly. Men nod at the Original Founders. Look quickly back to the stage. The room is dimly lit. Bathed in a deep red glow. A mahogany bar top. Above the optics is a selection of whisky, brandy, gin. The girls’ mother wipes down the counter, then the till and the fridges.