Back Luckenbooth
Chapters (37)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. Part I
  6. Jessie MacRae (21) the arrival
  7. Flora (33) the drag ball
  8. Levi (31) the bone library
  9. Jessie MacRae (21) the second day
  10. Flora (33) After – everyone arrives
  11. Levi (32) the four horsemen of the apocalypse
  12. Jessie MacRae (24) the conclusion
  13. Flora (33) It’s not my cage
  14. Levi (32) fear fir the mermaid
  15. Part II
  16. Ivy Proudfoot (17) the night witches
  17. Agnes Campbell (63) the fraudulent mediums act
  18. William Burroughs (49) the basement
  19. Ivy Proudfoot (17) cupid’s corner
  20. Agnes Campbell (63) the sisters
  21. William Burroughs (49) take me to your word maker so I can plead for my pitiful life
  22. Ivy Proudfoot (17) the palais
  23. Agnes Campbell (63) the devil’s daughter, her lover and the child
  24. William Burroughs (49) this building is a psychic vampire
  25. Part III
  26. Queen Bee (21) the red room
  27. Ivor (37) deathwatch beetles
  28. Dot (27) the death of all the secrets
  29. Queen Bee (21) triads vs rebels
  30. Ivor (37) after all these years
  31. Dot (27) the long walk home
  32. Queen Bee (21) Santa baby, please put a sable under the tree, for me
  33. Ivor (37) ain’t no sunshine when she’s gone
  34. Dot (27) i’m going to leave this city one last time
  35. Epilogue
  36. About the Author
  37. Also by Jenni Fagan

– That’s kind of you to say, John, but my voice is best in words, in writing. That is where people meet me and I meet them. They bring their memories, tastes, the smell of food in their kitchen as they walk through it reading my book. Or the feeling of sorrow ripping out of them. Or the way their head turns caught by some pretty thing that just flew by their window. There is a me that exists both here in the space I am in with you now – but also in the space where I was writing those words. Then I left a time continuum. Those words end up within the inner dimensions of strangers. They might pick up a world I made. Take it through their own time travel. Get on a plane: attend a funeral: ignore their lover. Flirt with a stranger – my worlds are in their possession for those times. They are not mine any more. In art we can compress the present and the past into a time capsule – pass it forward into the future. It can be done via images but words do more. There is a level to them. There is an imprint within them. We alter compositionally in relation to that interaction. The virus of words is not outside us – it is wholly within us. It holds the key to unlocking our inability to metamorphose. Kafka had it absolutely right. Gregor Samsa awakes one morning without the ability to speak – he is only able to screech like some kind of ungeziefer. What kind of a monstrous vermin has all language removed from it? Gregor Samsa has no ability to communicate by blinking, or talking, or writing, or drawing – without that facet he becomes reptilian to others. With no ability to trade our intent or ideas or affiliations, we are atomic meat parcels – flesh-covered skeletons – shit-dripping parasites. Even with the ability to communicate, most of our race struggles to transcend because we have been wholly programmed by language. Think about garbled political speeches – they cause confusion while also exerting some kind of terrible and powerful psychic and material control over billions of people.

– But a silent person is not an ungeziefer?