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Baal’s song

[Baals Lied]

BFA 11, 9; 1918; P1966, 1982 in this version; T.K.

Copyright © 1966, 1982 by Bertolt-Brecht-Erben / Suhrkamp Verlag

O you can’t know what I suffer . . .

[O du ahnst nicht, was ich leide . . .]

BFA 13, 109; 1917/18; P1982; T.K.

Copyright © 1982 by Bertolt-Brecht-Erben / Suhrkamp Verlag

A bitter love song

[Ein bitteres Liebeslied]

BFA 11, 11; 1918; P1965; D.C.

This poem survives only as a fragment.

Copyright © 1965 by Bertolt-Brecht-Erben / Suhrkamp Verlag

However that may be,

there was a time . . .

[Wie dem auch sei,

einmal . . .]

BFA 13, 126; 1918; P1963; T.K.

This is possibly a sketch for a continuation of the previous poem.

Copyright © 1963 by Bertolt-Brecht-Erben / Suhrkamp Verlag

Song of love

[Lied von Liebe]

BFA 11, 12; 1918; P1975; D.C.

Copyright © 1975 by Bertolt-Brecht-Erben / Suhrkamp Verlag

The youth and the maiden

[Der Jüngling und die Jungfrau]

BFA 11, 13; 1918; P1961; D.C.

Copyright © 1961 by Bertolt-Brecht-Erben / Suhrkamp Verlag

Half in my sleep . . .

[So halb im Schlaf . . .]

BFA 13, 133; 1919; P1982; D.C.

Copyright © 1982 by Bertolt-Brecht-Erben / Suhrkamp Verlag

The days of all your bitternesses . . .

[Die Tage deiner
Bitternisse . . .]

BFA 13, 132; 1919; P1963; T.K.

Copyright © 1963 by Bertolt-Brecht-Erben / Suhrkamp Verlag

On vitality

[Über die Vitalität]

BFA 13, 150; 1920; P1982; T.K.

Copyright © 1982 by Bertolt-Brecht-Erben / Suhrkamp Verlag

Through the room the wild

wind comes . . .

[Durch die Kammer

ging der Wind . . .]

BFA 13, 151; 1920; P1920 first stanza, 1982; T.K.

Copyright © 1982 by Bertolt-Brecht-Erben / Suhrkamp Verlag

Down in the willow grove . . .

[Dunkel im
Weidengrund . . .]

BFA 13, 152; 1920; P1982; T.K.

Copyright © 1982 by Bertolt-Brecht-Erben / Suhrkamp Verlag

The seventh psalm

[Der siebente Psalm:
Ich weiss es,
Geliebte . . .]

BFA 11, 20; 1920; P1960; D.C.

Copyright © 1960 by Bertolt-Brecht-Erben / Suhrkamp Verlag

Heh. Psalm 9

[Von He. 9. Psalm]

BFA 11, 22; 1920; P1965; D.C.

Copyright © 1965 by Bertolt-Brecht-Erben / Suhrkamp Verlag

The eleventh psalm

[Der elfte Psalm: Abends am Fluss . . .]

BFA 11, 23; 1920; P1960; D.C.

Copyright © 1960 by Bertolt-Brecht-Erben / Suhrkamp Verlag

12th psalm

[12. Psalm]

BFA 11, 25; 1920; P1988; D.C.

There is a small gap in Brecht’s text at the beginning of this poem, implying a direct object for “stolen.”

Copyright © 1988 by Bertolt-Brecht-Erben / Suhrkamp Verlag

Remembering Marie A.

[Erinnerung an die Marie A.]

BFA 11, 92; 1920; P1924; D.C.

Copyright © 1924 by Bertolt-Brecht-Erben / Suhrkamp Verlag

The river sings praises . . .

[Der Fluss lobsingt . . .]

BFA 13, 163; 1920; P1976; D.C.

Copyright © 1976 by Bertolt-Brecht-Erben / Suhrkamp Verlag

To M

[An M]

BFA 13, 205; 1921; P1982; D.C.

Copyright © 1982 by Bertolt-Brecht-Erben / Suhrkamp Verlag

On the way from Augsburg

to Timbuktu . . .

[Auf dem Wege von

Augsburg . . .]

BFA 13, 206; 1921; P1993; D.C.

Copyright © 1993 by Bertolt-Brecht-Erben / Suhrkamp Verlag

Balaam Lai in his thirtieth year . . .

[Balaam Lai in seinem dreissigsten Jahr . . .]

BFA 13, 212; 1921; P1982; D.C.

Copyright © 1982 by Bertolt-Brecht-Erben / Suhrkamp Verlag

Now in the night . . .

[Jetzt in der Nacht . . .]

BFA 13, 216; 1921; P1960; D.C.

Copyright © 1960 by Bertolt-Brecht-Erben / Suhrkamp Verlag

Need for art

[Forderung nach Kunst]

BFA 13, 312; c.1925; P1982; T.K.

Copyright © 1982 by Bertolt-Brecht-Erben / Suhrkamp Verlag

There at the beginning . . .

[Am ersten Tage schon gleich zu Beginne . . .]

BFA 13, 217; 1921; P1993; D.C.

Copyright © 1993 by Bertolt-Brecht-Erben / Suhrkamp Verlag

Balaam Lai in July

[Balaam Lai im Juli]

BFA 13, 231; 1921; P1982; D.C.

Copyright © 1982 by Bertolt-Brecht-Erben / Suhrkamp Verlag

Song of lost innocence

folding the linen

[Lied der verderbten

Unschuld beim Wäschefalten]

BFA 13, 233; 1921; P1951; D.C.

Copyright © 1951 by Bertolt-Brecht-Erben / Suhrkamp Verlag

Ballad

[Ballade: Und als sie lag
auf dem Sterbebett . . .]

BFA 13, 244; 1922; P1965; D.C.

Copyright © 1965 by Bertolt-Brecht-Erben / Suhrkamp Verlag

Discovery about a young woman

[Entdeckung an einer jungen Frau]

BFA 13, 312; c.1925; P1960; T.K.

Copyright © 1960 by Bertolt-Brecht-Erben / Suhrkamp Verlag

Ballad of the faithless women

[Ballade von
den untreuen
Weibern]

BFA 13, 330; 1926; P1982; T.K.

Copyright © 1982 by Bertolt-Brecht-Erben / Suhrkamp Verlag

The song of Surabaya-Johnny

[Surabaya-Johnny]

BFA 13, 344; 1926; P1929; T.K.

This song found its way into the play Happy End, by Brecht and Elisabeth Hauptmann. It became a hit in the setting by Kurt Weill, memorably sung by Lotte Lenya.

Copyright © 1929 by Bertolt-Brecht-Erben / Suhrkamp Verlag

The guest

[Der Gast]

BFA 13, 353; c. 1926; P1960; D.C.

This version includes a manuscript variant of the last two lines.

Copyright © 1960 by Bertolt-Brecht-Erben / Suhrkamp Verlag

He was easy to get . . .

[Es war leicht,
ihn zu bekommen . . .]

BFA 11, 170; 1926/27; P1960; D.C.

This and the next are taken from the short collection Reader for City-Dwellers.

Copyright © 1960 by Bertolt-Brecht-Erben / Suhrkamp Verlag

Again and again . . .

[Immer wieder . . .]

BFA 11, 171; 1926/27; P1960; D.C.

Copyright © 1960 by Bertolt-Brecht-Erben / Suhrkamp Verlag

Tercets on love—The lovers

[Terzinen über
die Liebe—Die
Liebenden]

BFA 14, 15; 1928; P1930; T.K.

This poem also features as a dialogue, in more or less alternate lines, between Jenny and Paul in Rise and Fall of the City of Mahagonny.

Copyright © 1930 by Bertolt-Brecht-Erben / Suhrkamp Verlag

Spring

[Das Frühjahr kommt . . .]

BFA 14, 127; 1931; P1932; D.C.

Copyright © 1932 by Bertolt-Brecht-Erben / Suhrkamp Verlag

The first sonnet

[Das erste Sonett]

BFA 11, 185; 1932/33; P1964; D.C.

This and the next six poems are addressed to or have to do with Margarete Steffin.

Copyright © 1964 by Bertolt-Brecht-Erben / Suhrkamp Verlag

The third sonnet

[Das dritte Sonett]

BFA 11, 186; 1933; P1988; D.C.

Copyright © 1988 by Bertolt-Brecht-Erben / Suhrkamp Verlag

Eighth sonnet

[Achtes Sonett: Nachts, wo die Wäsche . . .]

BFA 11, 191; 1933; P1982; D.C.

Copyright © 1982 by Bertolt-Brecht-Erben / Suhrkamp Verlag

Buying oranges

[Der Orangenkauf]

BFA 11, 195; 1934; P1964; D.C.

Copyright © 1964 by Bertolt-Brecht-Erben / Suhrkamp Verlag

When we had been apart . . .

[Als wir so lang getrennt . . .]

BFA 14, 332; 1936; P1965; D.C.

This poem survives only as a fragment.

Copyright © 1965 by Bertolt-Brecht-Erben / Suhrkamp Verlag

The twelfth sonnet

[Das zwölfte Sonett (Über die Gedichte des Dante
auf die Beatrice)]

BFA 11, 190; 1934; P1938; D.C.

Copyright © 1938 by Bertolt-Brecht-Erben / Suhrkamp Verlag

The thirteenth sonnet

[Das dreizehnte Sonett]

BFA 11, 190; 1934; P1938; D.C.

Copyright © 1938 by Bertolt-Brecht-Erben / Suhrkamp Verlag

Thoughts of a stripper during

the act of undressing

[Gedanken eines

Revuemädchens]

BFA 14, 295; 1935; P1964; T.K.

Copyright © 1964 by Bertolt-Brecht-Erben / Suhrkamp Verlag

Nanna’s Song

[Nannas Lied]

BFA 14, 334; 1936; P1938; T.K.

This and the next are songs sung by characters in the play Round Heads and Pointed Heads, for which they were set to music by Hanns Eisler.

Copyright © 1938 by Bertolt-Brecht-Erben / Suhrkamp Verlag

The madam’s song

[Kuppellied]

BFA 14, 333; 1936; P1938; T.K.

Copyright © 1938 by Bertolt-Brecht-Erben / Suhrkamp Verlag

Song of the widow in love

[Lied der liebenden
Witwe]

BFA 14, 328; 1936; P1965; D.C.

Copyright © 1965 by Bertolt-Brecht-Erben / Suhrkamp Verlag

The actress in exile

[Die Schauspielerin
im Exil]

BFA 14, 355; 1937; P1937; T.K.

Helene Weigel played the title role at the première of Señora Carrar’s Rifles in Paris in 1937.

Copyright © 1937 by Bertolt-Brecht-Erben / Suhrkamp Verlag

When I’d reported

to the couple, thus . . .

[Als ich den beiden so

berichtet . . .]

BFA 14, 417; c.1938; P1964; T.K.

Copyright © 1964 by Bertolt-Brecht-Erben / Suhrkamp Verlag

I shall go with the one I love . . .

[Ich will mit dem
gehen . . .]

BFA 14, 458; c.1939; P1953; T.K.

Copyright © 1953 by Bertolt-Brecht-Erben / Suhrkamp Verlag

To be read mornings and evenings

[Morgens und abends
zu lesen]

BFA 14, 353; 1937; P1964; T.K.

This and the next four are addressed to or have to do with Ruth Berlau.

Copyright © 1964 by Bertolt-Brecht-Erben / Suhrkamp Verlag

Kin-Jeh said of his sister

[Kin-Jeh sagte von
seiner Schwester]

BFA 14, 352; 1937; P1965; D.C.

Copyright © 1965 by Bertolt-Brecht-Erben / Suhrkamp Verlag

Our unceasing conversation . . .

[Unser unaufhörliches Gespräch . . .]

BFA 14, 354; 1937; P1965; D.C.

Copyright © 1965 by Bertolt-Brecht-Erben / Suhrkamp Verlag

Kin-Jeh’s second poem

about his sister

[Zweites Gedicht

Kin-Jehs über
seine Schwester]

BFA 14, 356; 1937; P1965; D.C.

Copyright © 1965 by Bertolt-Brecht-Erben / Suhrkamp Verlag

Fruitless call

[Vergeblicher Anruf]

BFA 14, 430; 1939; P1982; D.C.

svarer ikke—(Danish) “there’s no reply.”

Copyright © 1982 by Bertolt-Brecht-Erben / Suhrkamp Verlag

19th Sonnet

[19. Sonett. Begegnung mit den elfenbeinernen Wächtern]

BFA 14, 354; 1937; P1964; D.C.

This and the next ten all concern Margarete Steffin, who, having followed Brecht into antifascist exile, died of tuberculosis in Moscow in 1941.

Copyright © 1964 by Bertolt-Brecht-Erben / Suhrkamp Verlag

The good comrade M.S.

[Die gute Genossin M.S.]

BFA 14, 357; 1937; P1964; D.C.

Brecht used the term Lehrstücke for a loose group of plays from around 1930. It is variously translated into English as “teaching plays” or “learning plays.”

Copyright © 1964 by Bertolt-Brecht-Erben / Suhrkamp Verlag

The 21st sonnet

[Das 21. Sonett]

BFA 14, 418; c.1938; P1964; D.C.

Copyright © 1964 by Bertolt-Brecht-Erben / Suhrkamp Verlag

Sonnet

[Sonett: Und nun
ist Krieg . . .]

BFA 14, 437; 1939; P1964; D.C.

Copyright © 1964 by Bertolt-Brecht-Erben / Suhrkamp Verlag

Sonnet No. 19

[Sonett Nr. 19]

BFA 14, 437; 1939; P1964; D.C.

Copyright © 1964 by Bertolt-Brecht-Erben / Suhrkamp Verlag

Then at the last, when death . . .

[Als es soweit war . . .]

BFA 15, 40; 1941; P1964; D.C.

Copyright © 1964 by Bertolt-Brecht-Erben / Suhrkamp Verlag

Wreckage

[Die Trümmer]

BFA 15, 42; 1941; P1964; D.C.

Copyright © 1964 by Bertolt-Brecht-Erben / Suhrkamp Verlag

Remembering my little teacher . . .

[Eingedenk meiner
kleinen Lehrmeisterin . . .]

BFA 15, 43; 1941; P1964; D.C.

Copyright © 1964 by Bertolt-Brecht-Erben / Suhrkamp Verlag

In the ninth year

fleeing from Hitler . . .

[Im neunten Jahre der

Flucht vor Hitler . . .]

BFA 15, 44; 1941; P1964; D.C.

Copyright © 1964 by Bertolt-Brecht-Erben / Suhrkamp Verlag

My general has fallen . . .

[Mein General ist gefallen . . .]

BFA 15, 45; 1941; P1964; D.C.

Copyright © 1964 by Bertolt-Brecht-Erben / Suhrkamp Verlag

After the death of my

collaborator M. S.

[Nach dem Tod meiner

Mitarbeiterin M.S.]

BFA 15, 45; 1941; P1964; D.C.

Copyright © 1964 by Bertolt-Brecht-Erben / Suhrkamp Verlag

When I came back from

Saint-Nazaire . . .

[Als ich ging nach

Saint Nazaire . . .]

BFA 15, 74; 1942; P1956; D.C.

Originally written for the play The Visions of Simone Machard.

Copyright © 1956 by Bertolt-Brecht-Erben / Suhrkamp Verlag

Instruction in love

[Liebesunterricht]

BFA 15, 162; 1945; P1993; T.K.

Copyright © 1993 by Bertolt-Brecht-Erben / Suhrkamp Verlag

The song of fraternization

[Lied vom Fraternisieren]

BFA 15, 177; 1946; P1949; T.K.

This song is sung by the camp-following prostitute, Yvette, in later versions of Mother Courage and Her Children.

Copyright © 1949 by Bertolt-Brecht-Erben / Suhrkamp Verlag

The plum song

[Das Pflaumenlied]

BFA 15, 192; 1948; P1950; T.K.

Written for the Zurich premiere of Mr Puntila and his Man Matti. Paul Dessau set it to music on the basis of the tune of “When It’s Springtime in the Rockies.”

Copyright © 1950 by Bertolt-Brecht-Erben / Suhrkamp Verlag

Sauna and sex

[Sauna und Beischlaf]

BFA 15, 193; 1948; P1982; T.K.

In his notebook Brecht signed this and another “pornographic” poem, “Thomas Mann.”

Copyright © 1982 by Bertolt-Brecht-Erben / Suhrkamp Verlag

Weaknesses

[Schwächen]

BFA 15, 223; 1950; P1964; T.K.

Copyright © 1964 by Bertolt-Brecht-Erben / Suhrkamp Verlag

When I left you, afterwards . . .

[Als ich nachher
von dir ging . . .]

BFA 15, 240; 1950; P1953; D.C.

Copyright © 1953 by Bertolt-Brecht-Erben / Suhrkamp Verlag

My love gave me a little branch . . .

[Die Liebste
gab mir einen
Zweig . . .]

BFA 15, 240; 1950; P1953; D.C.

Copyright © 1953 by Bertolt-Brecht-Erben / Suhrkamp Verlag

Seven roses the rosebush has . . .

[Sieben Rosen
hat der Strauch . . .]

BFA 15, 241; 1950; P1953; D.C.

Copyright © 1953 by Bertolt-Brecht-Erben / Suhrkamp Verlag

When it is fun with you . . .

[Wenn du mich
lustig machst . . .]

BFA 15, 241; 1950; P1953; D.C.

Copyright © 1953 by Bertolt-Brecht-Erben / Suhrkamp Verlag

Smoke

[Der Rauch]

BFA 12, 308; 1953; P1953; T.K.

The poem referred originally to the house that Brecht acquired for the young actor Käthe Reichel, near his own house in Buckow.

Copyright © 1953 by Bertolt-Brecht-Erben / Suhrkamp Verlag

Love song from a bad time

[Liebeslied
aus einer schlechten
Zeit]

BFA 15, 286; c.1954; P1993; T.K.

Copyright © 1993 by Bertolt-Brecht-Erben / Suhrkamp Verlag

Send me a leaf . . .

[Schicke mir ein
Blatt . . .]

BFA 15, 293; 1955; P1964; D.C.

Copyright © 1964 by Bertolt-Brecht-Erben / Suhrkamp Verlag

When I have to leave you dear . . .

[Wenn ich von dir gehen werde . . .]

BFA 15, 288; 1955; P1959; T.K.

This was written for Brecht’s adaptation of Farquhar’s 1706 play The Recruiting Officer (Trumpets and Drums), where it is sung on the banks of the Severn, the first verse by a recruit, the second by his girl.

Copyright © 1959 by Bertolt-Brecht-Erben / Suhrkamp Verlag