Back Love Lettering
Chapters (30)
  1. Praise
  2. Also by
  3. Title Page
  4. Copyright Page
  5. Dedication
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. Chapter 19
  25. Chapter 20
  26. Chapter 21
  27. Chapter 22
  28. Epilogue
  29. Acknowledgments
  30. Teaser Chapter

Instead I pick out the phrases I like most, the ones that make me want to agree with him, answer him, ask him. I was nervous, I read again, and I want to say: I was, too. No excuse, and I think: No, but I forgive you. Before 7 a.m., and I wonder: What time do you get up in the morning? What time do you have to be at your weird calculator job?

I enjoyed watching you work. I love that word, enjoyed. It sounds small and polite, but it contains something big, passionate. In my head I see it as it should be, I think. The en- and the -ed should be small, but sturdy. Like bookends, or like hands, supporting something that’s lean and tall, but fragile and new. A fawn’s legs. J-O-Y.

It’s a photograph he’s enclosed, or a photocopy of one, but I can tell that the original is black and white. On the bottom right corner I can see a snippet of a label, something that must’ve gotten caught in the copier, a YPL that I know must have an N before it. Photo archives in the New York Public Library. That’s the trip Reid took after work. To the library.

It’s a ribbon cutting of some sort, though it must be a pre–big scissors and smiles moment, men in dark suits standing around behind a long, thin line of fabric. Behind them is a newer version of the building that had, only a few days ago now, been covered in scaffolding. But if you let your eyes drift up, up and over, you can see it. Top left corner. Three-quarters of the sign we squinted at. Not freshly painted, I don’t think, but newish. Clear and bright, and though I can’t see it all, I can see enough of what we’d missed on the street. The script I’d strained so hard to see is for a brand of men’s clothing, nothing I’ve heard of before, but I can picture the clothes, somehow, from that script—cap lines and ascender lines almost the same, swooping cross-strokes that nevertheless stay within the boundaries. Organized and elegant and aspirational.

Beneath it, the line of lettering that had faded almost completely, that I almost hadn’t known was there. An unassuming, narrow all caps. What’s written there makes me smile, and I wonder if it made Reid do the opposite. I wonder what this line of text means to him.

Illustration it reads.

A literal sign, but maybe the other kind, too.

Illustration