“What do you mean?” Kate felt a little light-headed, like she’d stood up too quickly.

“It’s a charm. My last one. I’m saving it to use on my last husband. He will be old and rich, the last one I will ever need.”

Kate wondered if Selma clung to this idea of charms the same way Kate had clung to Cricket, because when you run out of rope, you grab the first thing within reach. When Selma divorced one husband, maybe the charms comforted her with the fact that she wouldn’t have to be alone for long, that another one would come along soon.

After standing there awkwardly for a moment, holding the dirty towels and watching Selma smile and stroke the box like a cat, Kate turned and left the cabin. Once outside, she stopped on the stoop. She took a deep breath of lake air and felt her head clear. She looked back at the door she’d closed behind her and wondered if understanding Selma was really possible.

Maybe she really was magic.

*   *   *

Selma put the box back on the mantle. She didn’t understand why she acted this way. She couldn’t seem to help herself. And she had been this way for so long that she didn’t think she could be any other way. Not that she wanted to. Her mother had hated it, had hated what Selma had become, but Selma didn’t care. She wasn’t her mother. That was all that mattered.

Selma tried not to think of her mother, but when she did, she felt pity. She was a fading photo from the past—thin, transparent, disappearing from the window at the kitchen sink, where she would always stand and wait for her husband to come home to her.

She didn’t like to think of her father either, but when she did she felt anger, sometimes longing. But he too was a whispery figure of her past, consisting mainly of the scent of newspaper ink.

The only thing from her childhood she really liked to think of, what she remembered in striking detail, was the endless string of women with which her father had cheated on her mother. She remembered the hems of their dresses, the curl of their hair, the color of their eyeshadow, the marks their jewelry left on their skin. When she was very young, she’d had no idea who they were, these strange women who would show up at their front door, looking for Selma’s father. Selma’s mother would slam the door in their faces, but Selma would sneak out and follow them down the sidewalk, entranced by these painted creatures and the music created by their bracelets. They’d always had bracelets.