Chapters (28)
- Title Page
- Copyright Notice
- Dedication
- Contents
- Paris, France
- Part 1
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Amsterdam, The Netherlands
- Part 2
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Part 3
- Chapter 14
- Chapter 15
- Acknowledgments
- Also by Sarah Addison Allen
- About the Author
- Copyright
2. Wait exactly thirty minutes. Then drive to my house. Don’t wear anything fancy or put on makeup. It might help to look a little sad. I want Devin to wear exactly what she has on.
3. This is very important. There will be a film crew waiting at my house. They want to record your first day as you move in. Just act natural. They didn’t want me to tell you so it would look authentic, but I was afraid you might go off and do something and not stick to the schedule if you didn’t know. This is very important! I’ll explain everything when I get there.
Cricket Pheris micro-managed everything. As locally famous as she was, not many people knew that about her. She’d built her career on her supposed ability to go with the flow, to weather any storm. The truth was, Cricket didn’t weather anything. She controlled storms. And it had given her a reputation as a quiet kingmaker. She was the perfect combination of good taste and political ambition, but whenever she was approached to run for office, she always graciously demurred, happy behind the scenes. She’d been known to increase the numbers for any given candidate just by putting his or her campaign poster on the same lawn as her real estate sign. And all because, fifteen years ago, after Cricket’s husband died, she’d single-handedly turned her real estate agency into the biggest in the state with a series of extremely successful commercials that had even garnered national attention. The commercials had chronicled the selling of the house where Cricket and her husband and her son, Matt, had all once lived together, and the search for a new house for just Cricket and Matt. We know about moving on. That had been the phrase that had ended each commercial. Cricket had come across as likable and competent, but also sensitive and grieving. But it had been Matt who’d stolen the show. He’d been a beautiful child with a remarkable face that had been made for television—peachy skin and big sad brown eyes. There had been something about him that had made everyone who’d watched him root for him. Everyone had wanted him to find his home.
Matt had later told Kate that he had hated those commercials. Cricket had scripted them entirely. They had made them look close, but Cricket had worked fifteen-hour days, and Matt had essentially grown up without her.