Back Lost in September
Chapters (39)
  1. Cover
  2. Title Page
  3. Copyright
  4. Dedication
  5. Epigraph
  6. JANUARY 2, 2018
  7. Part I: Yellow Man
  8. 1 Gregorian Chant
  9. 2 His Flute
  10. 3 Madame Blanchard
  11. 4 Lonely Calèche
  12. 5 Costco
  13. 6 Fire-Ships
  14. 7 Gay Village
  15. 8 Doppelgänger
  16. 9 Little White Words
  17. 10 A Soldier’s Exile
  18. Part II: Blue Man
  19. 11 The Hag
  20. 12 Dragonfly Girls
  21. 13 Oyster
  22. 14 The Moping Owl to the Moon Complains
  23. 15 Umbrellas
  24. Part III: Red Man
  25. 16 Madame Blanchard
  26. 17 Watermelons
  27. 18 Finding Harold
  28. 19 Nobody
  29. 20 Babies
  30. Part IV: Green Man
  31. 21 JW’s Letter
  32. 22 The Ravelled Sleave
  33. 23 The Foulon
  34. 24 Who Am I in the Night
  35. 25 Deathstalker
  36. 26 Bright Game
  37. 27 Stolons
  38. Acknowledgements
  39. About the Author

IF ONLY I COULD PLUNGE this minute into the pool I loved at Bath. Scorch me, water! Wash away my self-recriminations. On the shortcut to the YMCA I pass tea shops, chemists, fashion outlets full of asymmetrical hems, the window of the store called Archambault, advertising musical recordings—but wait. I see through the glass a clerk with half his head shaved. He looks slightly familiar and I pop in, ask him about the fisherman’s son who sang a winter storm all last night in the tent.

“Who?”

“The famous Quebec singer.”

“Ben là!” The clerk has piled what remains of his hair into a luxuriant top-knot. “There are a lot of well-known singers from Quebec.”

“This one is—he’s beloved.”

“Do you mean Leonard Cohen?”

“I’d remember the name if I heard it again….”

“Rufus Wainwright?”

“No—the name is French.”

“Jacques Brel? Charles Aznavour?”

“I mean he’s from Quebec!”

“But you said French. Brel is Belgian. Aznavour was Armenian but he was born in France….”

“I mean he sings in French.”

“Is that all you can tell me?”

“He is a fisherman’s son. He sings a song about how this country is not a country, it is wintertime. He’s old, but not as old as Voltaire….”

“Then he is Gilles Vigneault. But you must not make this his only song you know. I can let you hear others.”

The clerk speaks of the fisherman’s son as if he’s a king.

How have descendants of Quebec fishermen, whose livelihoods I smashed in the name of England, come to be paramount in this land today? No matter where I search in Montreal for remnants of British conquest I find little. It makes no logical sense.

“Vigneault is the soul of Quebec.” The clerk looks even more familiar if I imagine him shorn of his radical hair. He hands me some headphones. Have I seen him before? His tattoo—a word, I see, though I can’t decipher it—is it Arabic? “You’re wrong about him being old.”

“I heard—”

“Yes, he is nearly ninety but has never become old. Do you know why he became a socialist and a poet?”

“I haven’t—”

“Vigneault was going to university. He was—how old are you? Late twenties? Early thirties? He was a few years younger than you. He went down to Quebec City from Natashquan and saw cod for sale, fifty cents a pound. You know how much his father was getting for those fish back home? One cent a pound. Okay, he said, maybe the package and the label cost seven cents…but who’s getting the rest?”

“Is this in any of his songs? I wouldn’t mind hearing one if—”

“It’s in all his songs. Cod made Vigneault a socialist. Listen.” And with that, the clerk presses a button and—headphones are amazing! My ears fill with sound.

—