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Contents ( 60)
  1. Dedication
  2. Chapter One
  3. Chapter Two
  4. Chapter Three
  5. Chapter Four
  6. Chapter Five
  7. Chapter Six
  8. Chapter Seven
  9. Chapter Eight
  10. Chapter Nine
  11. Chapter Ten
  12. Chapter Eleven
  13. Chapter Twelve
  14. Chapter Thirteen
  15. Chapter Fourteen
  16. Chapter Fifteen
  17. Chapter Sixteen
  18. Chapter Seventeen
  19. Chapter Eighteen
  20. Chapter Nineteen
  21. Chapter Twenty
  22. Chapter Twenty-One
  23. Chapter Twenty-Two
  24. Chapter Twenty-Three
  25. Chapter Twenty-Four
  26. Chapter Twenty-Five
  27. Chapter Twenty-Six
  28. Chapter Twenty-Seven
  29. Chapter Twenty-Eight
  30. Chapter Twenty-Nine
  31. Chapter Thirty
  32. Chapter Thirty-One
  33. Chapter Thirty-Two
  34. Chapter Thirty-Three
  35. Chapter Thirty-Four
  36. Chapter Thirty-Five
  37. Chapter Thirty-Six
  38. Chapter Thirty-Seven
  39. Chapter Thirty-Eight
  40. Chapter Thirty-Nine
  41. Chapter Forty
  42. Chapter Forty-One
  43. Chapter Forty-Two
  44. Reading Group Guide
  45. Acknowledgments
  46. About the Author
  47. Endorsements
  48. Praise for The Me I Used to Be
  49. Praise for Sisters and Secrets
  50. Also by Jennifer Ryan
  51. Stand-alone Novels
  52. The McGraths Series
  53. Wild Rose Ranch Series
  54. Montana Heat Series
  55. Montana Men Series
  56. The McBrides Series
  57. The Hunted Series
  58. Short Stories
  59. Copyright
  60. About the Publisher

Everyone clapped and cheered around them.

Luke held her away from him and stared into her eyes, his filled with wonder and excitement. “I . . . I can’t believe this. I’m . . . ecstatic. You’re carrying our child. Are you okay?”

“Yes. You’ve made me so happy.”

He cupped her face and kissed her softly. “I will always find a way to make you happy.”

She believed him. And he did.

Reading Group Guide

  1. Sarah manages to have a big job and raise her children. In what ways are women expected to do both competently while men are sometimes given more latitude with regard to balancing their work life and their family life?
  2. Is Sarah doing herself a disservice by putting herself in the background publicly? Why do you feel she insists on this intense privacy?
  3. At the start of the novel, Margaret refuses to see her son, Sean, in anything but a perfect light. Why do you think sometimes parents are willing to overlook or ignore terrible behavior in their children?
  4. Do you feel sorry for Margaret? Why or why not?
  5. At one point Luke comments on people who “care more about money” than anything else, even family. Why do you think people grow to have that perspective? What is it that makes some people value wealth over everything else?
  6. Sarah is taken by Sean when she is younger, helping him succeed, even marrying him and saving his business. Why are women so apt to behave this way?
  7. Margaret has been married three times and seems to think nothing of it, essentially living off her spouses. Yet, she condemns Sarah for making her own way in business. Why do you think this double standard still exists?
  8. At the start of the novel Luke bemoans the fact that most of the women he’s met are opportunistic and after his money. Yet it stands to reason he chose these women to begin with. What in his character might make him find women like this initially appealing?
  9. Luke has a fair amount of loyalty to Sean and his memory, even though they had ceased truly being close years before. Are there people in your life who you are loyal to more because of history than present-day friendship?
  10. Sarah withholds the truth about Sean, their marriage, his involvement at the company, and even covers up the details surrounding the accident that killed him. Is it sometimes better to lie or withhold the truth for the sake of the feelings of others, as Sarah does with Margaret about Sean? Or, are lies always bad things?
  11. The original title of the novel was Lies and Family Ties. Are family ties sometimes based on lies? And what do you think of this title?

Acknowledgments

Thank you to my wonderfully talented and amazing editor, Lucia Macro, for finding the heart of this story in the rough draft of a story I’d written a long time ago. The rewrite you proposed seemed like a daunting task, but it was so worth it. You knew there was more here than what I’d put on the page. It was a lot of hard work during a pandemic, but you stuck with me—like you always do—and Sarah and Luke got the love story I wanted for them.