Chapters (18)
- Cover
- Title Page
- Copyright
- THE WOMEN WHO GOT AWAY
- LUNCH HOUR
- NEW YORK GIRL
- MY FATHER ON THE VERGE OF DISGRACE
- THE CATS
- OLIVER’S EVOLUTION
- NATURAL COLOR
- LICKS OF LOVE IN THE HEART OF THE COLD WAR
- HIS OEUVRE
- HOW WAS IT, REALLY?
- SCENES FROM THE FIFTIES
- METAMORPHOSIS
- RABBIT REMEMBERED
- Books by John Updike
- About the Author
But how beautiful he had been, Janice remembers, in those high-school halls—the height of him, the fine Viking hair slicked back in a ducktail but trailing off in lank sexy strands like Alan Ladd’s across his forehead, the way he would flick it back with his big graceful white hands while kidding with the other seniors, like that tall girlfriend of his called Mary Ann, his lids at cocky sleepy half-mast, the world of those halls his, him paying no attention of course to her, a ninth-grader, a runt. They didn’t begin with each other until they both worked at Kroll’s in Brewer, she behind the nut and candy cases and he back from his two years in the Army, having been in Texas and never sent to die in Korea after all. He often mentioned Korea as if he had missed out on something by not going there to fight and coming back home to a peaceful life instead. Nobody wants war but men don’t want only peace either.
“Yes,” Annabelle hisses, too eager to agree, not really understanding how simple we all were back then, “he was a wonderful athlete, I remember the clippings up in the showroom, and then my mother said. She had gone to another high school, that used to play his. She talked a lot about him, once she got started, before she … went. I know about you, and Nelson, and the time your house burnt down, my mother kept track of all that in the papers, I guess. She was interested. The way she spoke, at the end, she didn’t have any grudge. It was the times, she said. He was caught, what else could he do? Anyway, I was no prize, she would tell me.”
Ruth and her views, beneath consideration these many years, have invaded the living room. “My goodness” is all Janice can think to say, as the sherry moves into her veins and begins to tint this nightmare a more agreeable color. What harm could what happened forty years ago do her now?
“He visited her, you know,” this young woman goes on, her gestures growing freer, her body bigger as she crosses and recrosses her white legs on the sofa, the beige cotton dress riding higher on her thighs. Her hair, too, seems too short, and bounces a bit too much as her head comes forward. There is some vanity, some push, in that hair—its many-colored thickness, its trendy trampy cut, long and short mixed up together. “The year he died, I guess. Somehow he had found our farm.”