Back Licks of Love
Chapters (18)
  1. Cover
  2. Title Page
  3. Copyright
  4. THE WOMEN WHO GOT AWAY
  5. LUNCH HOUR
  6. NEW YORK GIRL
  7. MY FATHER ON THE VERGE OF DISGRACE
  8. THE CATS
  9. OLIVER’S EVOLUTION
  10. NATURAL COLOR
  11. LICKS OF LOVE IN THE HEART OF THE COLD WAR
  12. HIS OEUVRE
  13. HOW WAS IT, REALLY?
  14. SCENES FROM THE FIFTIES
  15. METAMORPHOSIS
  16. RABBIT REMEMBERED
  17. Books by John Updike
  18. About the Author

Janice’s heart jumps. She once lived on Eisenhower Avenue, with Charlie Stavros, at number 1204, back in the Sixties, when everybody was going crazy. But it shouldn’t surprise her; the stately street, fallen away from its heyday of one-family mansions staffed by black or Irish servants, was where the better, safer rentals were, for misfits like her and Charlie or then this girl and her mother.

“—she would be so afraid of being in the way, she’d tell me she’d stay in her room if I brought back a man, but actually I had lived alone in Brewer enough to be wary of bringing men back, they can get rough, and I was in my thirties by then and the good men were married to somebody else. When she saw she was dying—by the time the tumors were detected, oat-cell carcinoma of the lung, the cancer had spread to the lymph system and the bones—she told me that I had more family than I knew. She told me that Dad hadn’t been my real father, that he had loved her enough to take her with somebody else’s baby. I wasn’t a year old, my grandparents in West Brewer were taking care of me while she worked in this restaurant over toward Stogey’s Quarry, where she met my—where she met Frank Byer. He moved fast—I guess his own mother had died not long before and a farm needs a woman. Not that he wasn’t crazy about her—he was. He was in his forties and she in her twenties and I could see when I got to be, you know, observant that they still had a lot going between them. He kidded her about being fat but then he was fat himself.”

Janice hates hearing about these very common people. “Didn’t you wonder,” she asks impatiently, “how you were born before your parents married?” Through the semi-transparent curtain across the front-room picture window—glass curtains they call them, though they’re just cloth—she can see that the woman across the street is still out on her porch, fussing idly with a long-nosed watering can, as if she is listening. But at this distance she can’t be. The girl’s being here seems shameful to Janice. Shameful and shameless.