Chapters (56)
- Chapter One
- Chapter Two
- Chapter Three
- Chapter Four
- Chapter Five
- Chapter Six
- Chapter Seven
- Chapter Eight
- Chapter Nine
- Chapter Ten
- Chapter Eleven
- Chapter Twelve
- Chapter Thirteen
- Chapter Fourteen
- Chapter Fifteen
- Chapter Sixteen
- Chapter Seventeen
- Chapter Eighteen
- Chapter Nineteen
- Chapter Twenty
- Chapter Twenty-one
- Chapter Twenty-two
- Chapter Twenty-three
- Chapter Twenty-four
- Chapter Twenty-five
- Chapter Twenty-six
- Chapter Twenty-seven
- Chapter Twenty-eight
- Chapter Twenty-nine
- Chapter Thirty
- Chapter Thirty-one
- Chapter Thirty-two
- Chapter Thirty-three
- Chapter Thirty-four
- Chapter Thirty-five
- Chapter Thirty-six
- Chapter Thirty-seven
- Chapter Thirty-eight
- Chapter Thirty-nine
- Chapter Forty
- Chapter Forty-one
- Chapter Forty-two
- Chapter Forty-three
- Chapter Forty-four
- Chapter Forty-five
- Chapter Forty-six
- Chapter Forty-seven
- Chapter Forty-eight
- Chapter Forty-nine
- Chapter Fifty
- Chapter Fifty-one
- Chapter Fifty-two
- Chapter Fifty-three
- Epilogue
- A CKNOWLEDGEMENTS
- H ISTORICAL N OTE
WHITEHALL PALACE, located on the fringes of the city, was an utterly different world. The palace, seized by Henry VIII from Cardinal Wolsey, was extensively expanded and enriched by the King, although its development was restricted as it was bounded on the east by the Thames, and on the west by the great thoroughfares of Whitehall and King Street, leading from London to Westminster. The problem was solved by building the recreational side of the palace on the western side of the roadway, and bridging the road with the magnificent Holbein Gate, where Henry had his private study. The two great paintings mentioned in the book – one showing Henry and Jane Seymour with the King’s father Henry VII and his Queen, and the other showing Henry and Jane Seymour (by that time long dead) with Henry’s three children, and two figures in the background who are believed to have been the royal fools Will Somers and Jane – were highlights of the magnificent decoration of the palace. Scrots’s portrait of the young Princess Elizabeth was painted at this time, and can be seen in the National Portrait Gallery in London. Baynard’s Castle, which like Whitehall Palace no longer exists, was home in 1546 to the Queen’s wardrobe as well as to her sister Anne and brother-in-law William Herbert.
THE ELITE GOVERNING ENGLAND at the end of Henry VIII’s reign was divided by religion, but it was also divided into family blocs. Catherine Parr, like all Henry’s queens, placed family members in positions of importance within her household, such as Lord Parr and Mary Odell, while her brother-in-law William Herbert was an important member of the King’s private chamber, and her brother William Parr took a place on the Privy Council, the King’s executive council, as well as the earldom of Essex.
This would now be called nepotism, but the Tudor view was entirely different – people were expected to advance members of their own family networks. So far as the royal court was concerned, this led inevitably to distant relatives and family hangers-on making their way to court in the hope of a place in royal service, as described in the book.
The Parrs were all on the reformist side, and their family loyalties seem to have been exceptionally tight; more so than their reformist allies and potential political rivals, the Seymours, the family of Prince Edward’s mother Jane Seymour. Thomas Seymour was a drag on his brother Edward, now Lord Hertford. Nonetheless Lord Hertford was close to Henry and had considerable political ability, although when he actually rose to the top after Henry’s death he proved inadequate for the job. Meanwhile, during 1546 William Paget, the King’s Secretary, appears to have moved from being a protégé of Bishop Gardiner’s to an ally of Lord Hertford.