Back Lamentation
Chapters (56)
  1. Chapter One
  2. Chapter Two
  3. Chapter Three
  4. Chapter Four
  5. Chapter Five
  6. Chapter Six
  7. Chapter Seven
  8. Chapter Eight
  9. Chapter Nine
  10. Chapter Ten
  11. Chapter Eleven
  12. Chapter Twelve
  13. Chapter Thirteen
  14. Chapter Fourteen
  15. Chapter Fifteen
  16. Chapter Sixteen
  17. Chapter Seventeen
  18. Chapter Eighteen
  19. Chapter Nineteen
  20. Chapter Twenty
  21. Chapter Twenty-one
  22. Chapter Twenty-two
  23. Chapter Twenty-three
  24. Chapter Twenty-four
  25. Chapter Twenty-five
  26. Chapter Twenty-six
  27. Chapter Twenty-seven
  28. Chapter Twenty-eight
  29. Chapter Twenty-nine
  30. Chapter Thirty
  31. Chapter Thirty-one
  32. Chapter Thirty-two
  33. Chapter Thirty-three
  34. Chapter Thirty-four
  35. Chapter Thirty-five
  36. Chapter Thirty-six
  37. Chapter Thirty-seven
  38. Chapter Thirty-eight
  39. Chapter Thirty-nine
  40. Chapter Forty
  41. Chapter Forty-one
  42. Chapter Forty-two
  43. Chapter Forty-three
  44. Chapter Forty-four
  45. Chapter Forty-five
  46. Chapter Forty-six
  47. Chapter Forty-seven
  48. Chapter Forty-eight
  49. Chapter Forty-nine
  50. Chapter Fifty
  51. Chapter Fifty-one
  52. Chapter Fifty-two
  53. Chapter Fifty-three
  54. Epilogue
  55. A CKNOWLEDGEMENTS
  56. H ISTORICAL N OTE

Nicholas stepped forward quickly, picked up the knife and took it outside to Vowell. The old servant stared at Isabel in horror through the doorway. The painting was now scored with innumerable slashes, spaces where pieces of plaster had fallen revealing the lath behind. A tiny stream of plaster dust trickled down. I saw that the section of the painting she had attacked most fiercely, now almost entirely obliterated, was her mother’s face.

I looked at Nicholas, who was pale and breathing hard. Then I knelt beside Isabel. ‘Mistress Slanning?’ I touched her shoulder lightly. She flinched, huddling further away from me, as though she would squeeze herself into the floor, clutching at her injured arm.

‘Mistress Slanning,’ I said gently. ‘You have cut yourself, your arm needs binding.’

The sobbing ceased and she turned her head to look at her arm. Her expression was bereft, her hair wild. She looked utterly pitiful. Lifting her eyes, she met mine briefly before shuddering and turning her face away. ‘Do not look at me, please.’ She spoke in an imploring whisper. ‘No one should look at me now.’ She took a deep, sobbing breath. ‘He was innocent, our stepfather, a good man. But we did not see it, Edward and I, till it was too late. Our mother was cruel, she left that Will so we would quarrel, I understand it now. It was because both Edward and I loved the painting so. Mother never wanted us to visit her, but I would come sometimes, to see the painting. To see our father again.’

I looked at their mother’s empty chair, facing what was left of the painting, the embroidery still lying on the seat.

‘He died so suddenly, our father. Why did he leave us? Why?’ She wept again, the tears of a lost child. ‘Oh, Edward! I drove him to that unclean act. All these years I could have confessed; the old faith allows that if you repent and confess your sins it is enough, you are forgiven. His faith did not allow even that. But I – ’ her voice fell to a whisper – ‘my hardened heart would not allow me to confess. But it was both of us together did that thing, both of us!’

I jumped at the sound of a sharp knock at the door. I heard Vowell and another voice, and then Vincent Dyrick strode into the room, gown billowing theatrically behind him, his lean hawk face furious. He looked at Nicholas and me, at Isabel weeping on the floor, then gaped at the wrecked painting.

‘Shardlake! What have you done? Why is my client in this state?’

I rose slowly to my feet, my knees cracking and my back protesting in pain. Isabel was looking at Dyrick; it was the same puzzled, otherworldly look Edward had worn in the Tower, as though she barely understood who he was.

‘Ask her,’ I answered heavily.