Back Lamentation
Chapters (56)
  1. Chapter One
  2. Chapter Two
  3. Chapter Three
  4. Chapter Four
  5. Chapter Five
  6. Chapter Six
  7. Chapter Seven
  8. Chapter Eight
  9. Chapter Nine
  10. Chapter Ten
  11. Chapter Eleven
  12. Chapter Twelve
  13. Chapter Thirteen
  14. Chapter Fourteen
  15. Chapter Fifteen
  16. Chapter Sixteen
  17. Chapter Seventeen
  18. Chapter Eighteen
  19. Chapter Nineteen
  20. Chapter Twenty
  21. Chapter Twenty-one
  22. Chapter Twenty-two
  23. Chapter Twenty-three
  24. Chapter Twenty-four
  25. Chapter Twenty-five
  26. Chapter Twenty-six
  27. Chapter Twenty-seven
  28. Chapter Twenty-eight
  29. Chapter Twenty-nine
  30. Chapter Thirty
  31. Chapter Thirty-one
  32. Chapter Thirty-two
  33. Chapter Thirty-three
  34. Chapter Thirty-four
  35. Chapter Thirty-five
  36. Chapter Thirty-six
  37. Chapter Thirty-seven
  38. Chapter Thirty-eight
  39. Chapter Thirty-nine
  40. Chapter Forty
  41. Chapter Forty-one
  42. Chapter Forty-two
  43. Chapter Forty-three
  44. Chapter Forty-four
  45. Chapter Forty-five
  46. Chapter Forty-six
  47. Chapter Forty-seven
  48. Chapter Forty-eight
  49. Chapter Forty-nine
  50. Chapter Fifty
  51. Chapter Fifty-one
  52. Chapter Fifty-two
  53. Chapter Fifty-three
  54. Epilogue
  55. A CKNOWLEDGEMENTS
  56. H ISTORICAL N OTE

The boat halted at the long pavilion at the end of the Royal Stairs, green-and-white Tudor flags fluttering on the roof. We climbed stone steps thick with the dirty green moss of the river, then a door in the pavilion was opened by a guard and we were led into the long gallery connecting the boathouse to the palace, fitted out with tapestries of river scenes. We were hustled along the full length of the pavilion, past more servants carrying household goods, then into the palace itself. We found ourselves in a place I recognized, the vestibule which formed the juncture of the Royal Stairs with three other sets of double doors, all guarded. I remembered that one led to the Queen’s Gallery, the second to the Queen’s privy lodgings and the third to the King’s. It was the third door which was now opened to us by the guards. A servant carrying a decorated vase almost as large as himself nearly collided with me as he emerged, and one of our guards cursed him. We were marched quickly to a small door, the lintel decorated with elaborate scrollwork, and told we would wait inside until the council was ready. It was a bare little chamber stripped of furniture, but with a magnificent view of the gardens. A few minutes later an inner door opened and we were called into the council chamber itself.

PAGET BEGAN BY GETTING each of us to confirm our names and swear on a Testament to tell the truth before God, as though we were in court. They had that power. Then he said, with a note of heavy reproval which, I suspected from long dealings with judges, was intended to intimidate us, ‘You are all charged with heresy, denial of the Real Presence of the body and blood of Christ in the Mass, under the Act of 1539. What do you say?’

‘Sirs,’ I said, surprised by the strength in my own voice, ‘I am no heretic.’

Philip answered with a lawyer’s care, ‘I have never breached the Act.’

Edward Cotterstoke closed his eyes and I wondered if he might collapse. But he opened them again, looked straight at Paget, and said quietly, ‘Nor I.’

Bishop Gardiner leaned across the table, pointing a stubby finger at me. ‘Master Shardlake uses words similar to those his former master Cromwell employed when he was arrested at this very table. I remember.’ He gave a contemptuous laugh. ‘Parliament found differently. And so may the City of London court, if we decide to send them there!’

Paget glanced at Gardiner, raising a hand. The Bishop sat back, scowling, and Paget said, more mildly, ‘We have a couple of questions which apply only to you, Master Shardlake.’

He nodded to Wriothesley, who leaned forward, his little red beard jutting forward aggressively. ‘I understand you were recently sworn to the Queen’s Learned Council.’

‘Yes, Lord Chancellor. Temporarily.’

‘Why?’