Back Lamentation
Chapters (56)
  1. Chapter One
  2. Chapter Two
  3. Chapter Three
  4. Chapter Four
  5. Chapter Five
  6. Chapter Six
  7. Chapter Seven
  8. Chapter Eight
  9. Chapter Nine
  10. Chapter Ten
  11. Chapter Eleven
  12. Chapter Twelve
  13. Chapter Thirteen
  14. Chapter Fourteen
  15. Chapter Fifteen
  16. Chapter Sixteen
  17. Chapter Seventeen
  18. Chapter Eighteen
  19. Chapter Nineteen
  20. Chapter Twenty
  21. Chapter Twenty-one
  22. Chapter Twenty-two
  23. Chapter Twenty-three
  24. Chapter Twenty-four
  25. Chapter Twenty-five
  26. Chapter Twenty-six
  27. Chapter Twenty-seven
  28. Chapter Twenty-eight
  29. Chapter Twenty-nine
  30. Chapter Thirty
  31. Chapter Thirty-one
  32. Chapter Thirty-two
  33. Chapter Thirty-three
  34. Chapter Thirty-four
  35. Chapter Thirty-five
  36. Chapter Thirty-six
  37. Chapter Thirty-seven
  38. Chapter Thirty-eight
  39. Chapter Thirty-nine
  40. Chapter Forty
  41. Chapter Forty-one
  42. Chapter Forty-two
  43. Chapter Forty-three
  44. Chapter Forty-four
  45. Chapter Forty-five
  46. Chapter Forty-six
  47. Chapter Forty-seven
  48. Chapter Forty-eight
  49. Chapter Forty-nine
  50. Chapter Fifty
  51. Chapter Fifty-one
  52. Chapter Fifty-two
  53. Chapter Fifty-three
  54. Epilogue
  55. A CKNOWLEDGEMENTS
  56. H ISTORICAL N OTE

Whitehall Palace had originally been Cardinal Wolsey’s London residence, York Place, and when he fell the King had taken it into his possession. He had steadily expanded it over the last fifteen years; it was said he wished it to be the most lavish and impressive palace in Europe. To the left of the broad Whitehall Road stood the main buildings, while to the right were the pleasure buildings, the tennis courts where the King had once disported, the great circular cockpit and the hunting ground of St James’s Park. Spanning the street, beyond which became King Street, and connecting the two parts of the palace was the Great Gate designed by Holbein, an immense towered gatehouse four storeys high. Like the walls of the palace itself, it was tiled with black-and-white chequer-work, and decorated with great terracotta roundels depicting Roman emperors. The gateway at the bottom was dwarfed by the size of this edifice, yet wide enough to enable the biggest carts to pass two abreast.

A little before the Great Gate, the line of the palace walls was broken by a gatehouse, smaller, though still magnificent, which led to the palace buildings. Guards in green-and-white livery stood on duty there. I joined a short queue waiting to go in: behind me, a long cart pulled by four horses drew up. It was piled with scaffolding poles, no doubt for the new lodgings being constructed for the King’s elder daughter, Lady Mary, by the riverside. Another cart, just being checked in, was laden with geese for the kitchens, while in front of me three young men sat on horses with richly decorated saddles, accompanied by a small group of servants. The young gentlemen wore doublets puffed and slashed at the shoulders to show a violet silk lining, caps with peacock feathers, and short cloaks slung across one shoulder in the new Spanish fashion. I heard one say, ‘I’m not sure Wriothesley’s even here today, let alone that he’s read Marmaduke’s petition.’

‘But Marmaduke’s man has got us on the list; that’ll get us as far as the Presence Chamber. We can have a game of primero and who knows who might pass by once we’re in.’

I realized these young men were aspiring courtiers, gentry most likely, with some peripheral connection to one of Sir Thomas Wriothesley’s staff, some of the endless hangers-on who haunted the court in the hope of being granted some position, some sinecure. They had probably spent half a year’s income on those clothes, hoping to catch the eye or ear of some great man – or even his manservant. I remembered the collective noun used for those who came here: a threat of courtiers.