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Chapters (56)
  1. Chapter One
  2. Chapter Two
  3. Chapter Three
  4. Chapter Four
  5. Chapter Five
  6. Chapter Six
  7. Chapter Seven
  8. Chapter Eight
  9. Chapter Nine
  10. Chapter Ten
  11. Chapter Eleven
  12. Chapter Twelve
  13. Chapter Thirteen
  14. Chapter Fourteen
  15. Chapter Fifteen
  16. Chapter Sixteen
  17. Chapter Seventeen
  18. Chapter Eighteen
  19. Chapter Nineteen
  20. Chapter Twenty
  21. Chapter Twenty-one
  22. Chapter Twenty-two
  23. Chapter Twenty-three
  24. Chapter Twenty-four
  25. Chapter Twenty-five
  26. Chapter Twenty-six
  27. Chapter Twenty-seven
  28. Chapter Twenty-eight
  29. Chapter Twenty-nine
  30. Chapter Thirty
  31. Chapter Thirty-one
  32. Chapter Thirty-two
  33. Chapter Thirty-three
  34. Chapter Thirty-four
  35. Chapter Thirty-five
  36. Chapter Thirty-six
  37. Chapter Thirty-seven
  38. Chapter Thirty-eight
  39. Chapter Thirty-nine
  40. Chapter Forty
  41. Chapter Forty-one
  42. Chapter Forty-two
  43. Chapter Forty-three
  44. Chapter Forty-four
  45. Chapter Forty-five
  46. Chapter Forty-six
  47. Chapter Forty-seven
  48. Chapter Forty-eight
  49. Chapter Forty-nine
  50. Chapter Fifty
  51. Chapter Fifty-one
  52. Chapter Fifty-two
  53. Chapter Fifty-three
  54. Epilogue
  55. A CKNOWLEDGEMENTS
  56. H ISTORICAL N OTE

I leaned back, thinking of those I had questioned at Whitehall. I could not see either of the pages or Mary Odell taking the book. But I was not so sure of Jane Fool. I had a feeling she was less stupid than she pretended, though that in itself was not proof of guilt. And she served the Lady Mary as well as the Queen. I remembered Mary Odell’s account of the strange behaviour of the guard on duty the night the manuscript was stolen. I must see what Lord Parr turned up there.

I looked up at the green branches of the large old elm beside the pavilion. The leaves moved in the faint breeze from the river, making a kaleidoscope of pretty patterns on the pavilion floor. I looked over at the house, shaking my head. For the most important question remained unanswered: how could anyone have learned that the Lamentation existed at all?

I wrote down the next important date. The 10th of July. The murder of Armistead Greening; the stolen manuscript of the Lamentation grabbed from his hand by two men who had come to kill him and hide the deed by setting his shed on fire. Different men from the earlier attack, on the 5th, though again young and roughly dressed. One of the earlier attackers seemed to have worn an embroidered sleeve, the mark of a gentleman. I remembered what Okedene’s old servant had said about the man from the first group, who was missing half an ear. It looked like a slash from a sword, not the great hole you get from having your ear nailed to the pillory. So he had probably been in a sword fight; and the only people who were allowed to carry swords were those of gentlemen status, like Nicholas. I thought, what if both attacks were carried out by people of high status, dressed like commoners to escape notice? What if all four attackers were working for the same person? Yet that left unresolved the central problem that, at the time of the first attack, the Lamentation had not yet been stolen. Could both sets of attackers have been after something else and found the Lamentation by chance?

After Greening’s murder, his associates had, except for Elias, fled. They had first been questioned by the constable, and all had alibis. Had they left because they were frightened of religious persecution, I wondered, or for some other reason? Only poor Elias had stayed because his mother and sisters needed him, and he had been killed by the same people who killed Greening.

And then there was that new mystery: Elias’s dying words to his mother. Killed for Anne Askew. I wondered, had Greening’s group had some association with her before her capture?