Back Key of Light Save as PDF
Contents ( 21)
  1. Contents
  2. Chapter One
  3. Chapter Two
  4. Chapter Three
  5. Chapter Four
  6. Chapter Five
  7. Chapter Six
  8. Chapter Seven
  9. Chapter Eight
  10. Chapter Nine
  11. Chapter Ten
  12. Chapter Eleven
  13. Chapter Twelve
  14. Chapter Thirteen
  15. Chapter Fourteen
  16. Chapter Fifteen
  17. Chapter Sixteen
  18. Chapter Seventeen
  19. Chapter Eighteen
  20. Chapter Nineteen
  21. Chapter Twenty

“Tod. You’re up and about early.”

“On my way to the coffee shop to ogle the nine-to-fivers before heading to work.” He peered over her right shoulder, her left, then gave her a leer. “Got company?”

Malory swung the door wider in invitation. “No. All alone.”

“Ah, too bad.”

“You’re telling me.” She tucked up the ends of the towel more securely. “Want coffee here? I’ve already put the pot on.”

“Not unless you can offer me a skinny mocha latte and a hazelnut muffin.”

“Sorry, fresh out.”

“Well, maybe I should just give you the good news, then be on my way.” Still, he flopped into a chair.

“Oh! New boots?”

“Fabulous, aren’t they?” He stretched out his legs, turned his feet right and left to admire them. “They’re killing me, of course, but I couldn’t resist them. I made a quick run through Nordstrom’s on Saturday. Darling, you’ve got to go.” He sat up, grabbed her hand as she curled on the end of the sofa. “The cashmere! There’s a cowl neck in periwinkle that’s calling your name.”

“Periwinkle?” She sighed, long and deep, like a woman under the hands of a skilled lover. “Don’t say periwinkle cashmere when I’m in the middle of a shopping moratorium.”

“Mal, if you don’t treat yourself, who will?”

“That’s true. That’s so true.” She bit her lip. “Nordstrom’s?”

“And there’s a twinset in a strong peachy pink that was made for you.”

“You know I have no defense against twinsets, Tod. You’re killing me.”

“I’ll stop, I’ll stop.” He held up his hands. “But on to our morning bulletin. The Pamela has stepped in deep and stinky doo-doo.”

“Oh, boy.” Malory wiggled into the cushions. “Tell me everything. Don’t spare the details.”

“As if. Okay. We got in a Deco bronze—female figure wearing a flapper-style dress, feathered headband, pearls, gorgeous open-toed shoes, trailing a long scarf. She’s absolutely charming. Witty, terrific details, with this sly ‘let’s you and me Charleston, big boy’ smirk on her face. I fell in love.”

“Did you call Mrs. Karterfield in Pittsburgh?”

“Ah, see!” He shot a finger in the air, as if proving a point. “Naturally you would assume that, or would have done so personally had you still been in charge. Which you should be.”

“Goes without saying.”

“I did, of course, call Mrs. Karterfield, who, as expected, asked us to hold it for her until she could come down personally to see it. Next week. And what happens when our darling Mrs. Karterfield from Pittsburgh comes into The Gallery to see a Deco figure?”

“She buys it. And often at least one other piece. If she comes in with a friend, which is usually the case, she harangues her companion until she buys something too. It’s a good day when Mrs. Karterfield comes to town.”

“Pamela sold it out from under her.”

It took Malory ten seconds to find her voice. “What? What? How? Why? Mrs. K’s one of our best customers. She always gets first look at Deco bronzes.”