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Contents ( 21)
  1. Contents
  2. Chapter One
  3. Chapter Two
  4. Chapter Three
  5. Chapter Four
  6. Chapter Five
  7. Chapter Six
  8. Chapter Seven
  9. Chapter Eight
  10. Chapter Nine
  11. Chapter Ten
  12. Chapter Eleven
  13. Chapter Twelve
  14. Chapter Thirteen
  15. Chapter Fourteen
  16. Chapter Fifteen
  17. Chapter Sixteen
  18. Chapter Seventeen
  19. Chapter Eighteen
  20. Chapter Nineteen
  21. Chapter Twenty

She breathed deep, shuddered again. “I’m freaked, but I’m not leaving them here. Or you either. Jesus, Flynn, your mouth’s bleeding.”

He swiped the back of his hand over it. “It’s nothing. Okay, we stick together.” He took her hand, linked fingers.

They heard it at the same time, the hammering of fists on wood. With Moe once again in the lead, they rushed through the room.

Zoe stood at the attic door, beating on it. “Over here!” She called out. “She’s up there, I know she’s up there, but I can’t get through.”

“Get back,” Flynn ordered.

“You’re all right?” Dana gripped her arm. “Are you hurt?”

“No. I was home, Dana. Puttering around the kitchen with the radio on. Wondering what to fix for dinner. My God, how long? How long were we separated? How long has she been up there alone?”

Chapter Twenty

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SHE was afraid. It helped to admit it, accept it. To know that she was more afraid than she’d ever been in her life, and to realize she was determined not to give in.

The warmth was already being eaten away as the light took on that harsh blue hue. Fingers of mist crawled along the exposed beams on the ceiling, down the unfinished walls, along the dusty floor.

Through it, she could see the pale white vapor of her own breath.

Real, she reminded herself. That was real, a sign of life. Proof of her own humanity.

The attic was a long, wide room with two stingy windows at either end and the ceiling rising to a narrow pitch. But she recognized it. In her dream there had been skylights and generous windows. Her paintings had been stacked against walls done in soft cream. The floor had been clean of dust, and speckled with a cheerful rainbow of paint drops and splatters.

The air had carried a summer warmth and the scent of turpentine.

It was dank now, and cold. Rather than canvases, cardboard boxes were stacked against the walls. Old chairs and lamps and the debris of other lives were stored there. But she could see—oh, so clearly see—how it could have been.

As she imagined it, it began to form.

Warm, washed with light, alive with color. There, on her worktable with her brushes and palette knives, was the little white vase filled with the pink snapdragons she’d picked from her own garden that morning.

She remembered going out after Flynn had left for work, remembered picking those sweet and tender flowers to keep her company while she worked.

Worked in her studio, she thought dreamily, where the blank canvas waited. And she knew, oh, yes, she knew how to fill it.

She walked to the canvas waiting on an easel, picked up her palette, and began to mix her paints.

Sun streamed through her windows. Several were open for the practical purpose of cross-ventilation, and for the simple pleasure of feeling the breeze. Music pumped passionately out of the stereo. What she intended to paint today required passion.