A uniformed officer spotted me and broke away from a conversation with a civilian clerk. He moved in my direction. "Can I help you?"
"I just talked to Lieutenant Dolan over at St. Terry's. He and Detective Phillips are letting me look at some files. There should be a set of photographs he said I could take."
"The name was Kepler, right? Lieutenant just called. I have 'em right back here. You want to come on through?"
"Thanks."
The officer depressed a button, releasing the door lock. I went through into a back hallway and turned right. The officer reappeared in the doorway to Records and Identification. "We got a desk back here if you want to take a seat."
I read through the file with care, making notes as I went. Janice Kepler had given me much of the same material, but there were many interdepartmental memos and notes that hadn't been part of her packet. I found the witness interviews the police had conducted with Hector Moreno, J. D. Burke, and Serena Bonney, whose home address and phone number I jotted down. There were additional interviews with Lorna's family, her former boss, Roger Bonney, and the very Danielle Rivers I was hoping to meet on lower State Street tonight. Again, I made a note of home addresses and telephone numbers. This was information I could develop on my own, but why pass it up? Lieutenant Dolan had left word that I could photocopy anything I needed. I took copies of countless pages. I'd probably interview many of the same people, and it would be instructive to compare their current opinions and observations with those made at the time. Finally I turned my attention to the crime scene photographs.
In some ways, it's hard to know which is more sordid, the pornography of sex or the pornography of homicide. Both speak of violence, the broken and debased, the humiliations to which we subject one another in the heat of passion. Some forms of sex are as cold-blooded as murder, some kinds of murder as titillating to the perpetrator as a sexual encounter.
Decomposition had erased most of the definition from Lorna Kepler's flesh. The very enzymes embedded in her cells had caused her to disintegrate. The body had been invaded, nature's little cleaning crew busily at work—maggots as light as a snowfall and as white as thread. It took me many minutes before I could look at the photographs without revulsion. Finally I was able to detach myself. This was simply the reality of death.
I was interested in the sight of the cabin in its furnished state. I had seen it empty: sooty and forsaken, full of spiders and mildew, the fusty smell of neglect. Here, in full color and again in black and white, I could see fabric, crowded countertops in use, sofa pillows in disarray, a vase full of sagging flowers in an inch of darkened water, rag rugs, the spindle-lathed wooden chair legs. I could see a pile of mail on the sofa cushion where she'd left it. There was something distasteful about the unexpected glimpses of her living space. Like a houseguest arriving early, who sees the place before the hostess has had the chance to tidy up.