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Chapters (24)
  1. Book Description
  2. About J. Kenner
  3. Also from J. Kenner
  4. An Introduction to the Lexi Blake Crossover Collection
  5. Acknowledgments from the Author
  6. Table of Contents
  7. Prologue
  8. Chapter One
  9. Chapter Two
  10. Chapter Three
  11. Chapter Four
  12. Chapter Five
  13. Chapter Six
  14. Chapter Seven
  15. Chapter Eight
  16. Chapter Nine
  17. Chapter Ten
  18. Chapter Eleven
  19. Chapter Twelve
  20. Epilogue
  21. Discover the Lexi Blake Crossover Collection
  22. Discover the World of 1001 Dark Nights
  23. Tame Me
  24. On behalf of 1001 Dark Nights,

“Wasn’t it?”

“No. It’s that I didn’t think that I could stand the strain of knowing I might lose you at any minute the same way I lost him.” My voice is tight with emotion, and I exhale noisily. “But it doesn’t matter anyway, does it? Because you don’t like this city. And once you catch my stalker, you’re going to leave. Aren’t you?”

He’s silent for a moment, then he says, “Is that what you want?”

I lick my lips, suddenly unsure. I can’t imagine living with that fear every day. I don’t know how my mother did it. She died of complications following surgery three years before my father did. I sometimes wonder if in some way that was a relief to her. Or is it just simply proof that worrying about the obvious dangers is foolish, because the unexpected ones will get you anyway?

“I don’t know,” I say after a moment, realizing I haven’t answered his question. But how can I? I want the man. But I also want certainty and safety. Or at least as much certainty as is humanly possible.

“You love this town,” he says after a moment.

“I do.” I want to turn and see his eyes, but I don’t. These are things we’ve never talked about, and they’re important. And I don’t want to stop—or risk doing anything that makes him stop. “But it’s mostly my job that I love,” I admit.

“Lyle?”

“Partly. Working for him is great. But I truly love Hollywood. If they moved the heart of the film industry somewhere else, I’d follow.” I draw in a breath, and then tell him the real truth. “I want to be part of making happy endings,” I admit. “I can’t act or produce or direct or any of that. But I can help. I can make a difference for the ones who craft the stories, and that matters.”

“It does,” he agrees.

“The stories matter, too. To the public, sure, but also to me. I need to be part of the fairy tale. Honestly, even though I was born in LA, I sought out Hollywood. I came to it because it was my due. Because in my real world, when Cinderella lost her shoe, it ended up tossed in a junk heap. And Sleeping Beauty got tetanus from that damn needle prick.”

I take a breath. “I wanted to help make happily ever afters, and if I couldn’t do it in real life, then I’d help do it on the screen in whatever way I could wrangle.”

“I get that,” he says. “There’s not much that’s more important than making your own happy ending.”