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Contents ( 34)
  1. ACKNOWLEDGMENTS
  2. PART ONE
  3. THE PARABLE OF THE KNOCKER
  4. 1
  5. 2
  6. 3
  7. 4
  8. PART TWO
  9. THE SWAMP WITCH
  10. 5
  11. 6
  12. 7
  13. PART THREE
  14. MIRRORS AND DOORWAYS
  15. 8
  16. 9
  17. 10
  18. 11
  19. 12
  20. 13
  21. PART FOUR
  22. THE KING OF CUPS
  23. 14
  24. 15
  25. 16
  26. 17
  27. PART FIVE
  28. THE NEVER
  29. 18
  30. 19
  31. 20
  32. 21
  33. EPILOGUE
  34. AUTHOR BIOGRAPHY

I am not sure how long I walk. For a time I keep moving, directionless, unaware if I am heading toward home or only drifting deeper into the swamp, using the lighter occasionally to light my way. Then for a time I sit down to rest, and as I stop moving, the cold fills me and I begin to tremble, trying not to imagine Donovan beating against the underside of the ice, swept away in the dark. For a time I bounce Julian gently up and down to warm him, holding close the lighter’s tiny flame and murmuring soft meaningless words. Then I rest him against my chest to free my hands and rub my feet, but it doesn’t seem to help; they are numb as two cement blocks affixed to my ankles.

After a time, I notice that Julian has stopped crying. The stillness and silence of the swamp invade me.

“Julian?” I whisper, a terrible dread gripping me. He is sleeping, I tell myself, pulling the towel back from his pale face. I put my hand to his ice-cold cheek. He is sleeping, I tell myself.

“Julian?” Gently, I shake him a bit, to see him open his eyes, to see what color his eyes are, see what they look like after all. I never saw. Then I shake him harder.

My eyelashes have crusted over with frozen tears.

I pull the towel back over his face.

Delirious, I rise to my feet, not knowing where to go, knowing only that I need to keep moving. I need to keep moving. And as I move, I see light in the distance, and I follow it, as a moth goes to a flame. And as I move, I bounce Julian up and down and offer him soft meaningless words and try to convince myself he can hear me.

As I approach the light, thinking it is fox fire, some trick of the swamp leading me farther from home, I realize it is in fact real fire—a bonfire set atop the icy ground. I push my way eagerly through the last of the trees toward it, nearly sobbing with relief as I fall to my knees before its blazing warmth. At first I close my eyes, allowing my skin to thaw, prickling painfully as it does.

Then I hear a creak, and my eyes snap open.

I did not see it at first, but the fire sits just before a little wooden shack, with a door that has just swung open to reveal a gaping pit of darkness within that the fire’s light cannot reach. I recognize the shack I saw once many years ago, when I was lost in the swamp with my sister, when we fell out of our canoe and stumbled upon a structure that should not be.

Perhaps I should turn and run away from the darkness inside the shack, which makes my skin crawl as the blood rushes back in, but I cannot bring myself to leave the fire. Out from the doorway gradually manifests a tall shape. And as that shape steps forward and the shadows peel away, the fire blazes a freakish glow on the decayed form of Clementine.