Back Into the Jungle Save as PDF
Contents ( 49)
  1. PROLOGUE
  2. ONE
  3. TWO
  4. THREE
  5. FOUR
  6. FIVE
  7. SIX
  8. SEVEN
  9. EIGHT
  10. NINE
  11. TEN
  12. ELEVEN
  13. TWELVE
  14. THIRTEEN
  15. FOURTEEN
  16. FIFTEEN
  17. SIXTEEN
  18. SEVENTEEN
  19. EIGHTEEN
  20. NINETEEN
  21. TWENTY
  22. TWENTY-ONE
  23. TWENTY-TWO
  24. TWENTY-THREE
  25. TWENTY-FOUR
  26. TWENTY-FIVE
  27. TWENTY-SIX
  28. TWENTY-SEVEN
  29. TWENTY-EIGHT
  30. TWENTY-NINE
  31. THIRTY
  32. THIRTY-ONE
  33. THIRTY-TWO
  34. THIRTY-THREE
  35. THIRTY-FOUR
  36. THIRTY-FIVE
  37. THIRTY-SIX
  38. THIRTY-SEVEN
  39. THIRTY-EIGHT
  40. THIRTY-NINE
  41. FORTY
  42. FORTY-ONE
  43. FORTY-TWO
  44. FORTY-THREE
  45. FORTY-FOUR
  46. FORTY-FIVE
  47. EPILOGUE
  48. ACKNOWLEDGMENTS
  49. ABOUT THE AUTHOR

Rubbing the slab of hard yellow soap Doña Antonia had given me into the almost colorless cloth, it hit me that no one was punishing me. The women were just doing what needed to be done: the clothes were dirty and needed washing, and all the women were pitching in. Heartened to be included, I worked as hard as I could, as long as I could, until I had washed all the clothes assigned to me and dropped them back in my basket, which sat in knee-deep water next to me.

Just as I turned back to shore, a wave of pain lashed across my forehead, the light of day suddenly so unbearably bright I closed my eyes and covered them with one hand, the other resting on the rim of the basket.

Moaning, I heard the words “DO NOT MOVE” whispered inside my head.

Nausea flooded me, then passed. I opened my eyes, shielding them from the glare off the water, my headache fading with the echo of the words in my brain.

I knew who had spoken to me.

Void of expression, Beya held my gaze. She stood knee-deep in the river just a couple of yards from me, the basket of soaked clothes balanced against her hip dripping steadily into the still water.

I heard her murmur, “DO NOT MOVE. DO NOT LOOK DOWN. LOOK AT ME.”

I obeyed. The words hummed in my head, repeating over and over and over, “DO NOT MOVE DO NOT LOOK DOWN LOOK AT ME, DO NOT MOVE DO NOT LOOK DOWN LOOK AT ME,” a one-note song sung in basso profundo. Thirty seconds passed like this, a minute; then a pause—it was as if I was waiting for her to “say” something else. Had I invented this whole thing? The longer we looked at each other, the more convinced I became that I was losing my mind, yet I was riveted, enthralled. A buzzing circle of energy coursed between us, binding us; her eyes burning black.

A child shrieked up on the hill, only in play, but we both looked away from each other, severing our communication, if it had happened at all. I gathered my thoughts, brought myself back to where I was and what I was doing, what was expected of me. The sounds of talking and laughter between the women, the whine of insects, began to leak back into my awareness.

That’s when I noticed the top section of the fish gate, maybe two yards from me, jerking side to side, before it began to sink—bit by bit—as if something were pulling it, until it sank completely, dragged under the silty brown water.

Her voice in my head whispered, “DON’T MOVE. DON’T SCREAM.”

My head whipped back to focus on her face as if she had physically forced me to do so.

“STAY CALM. LISTEN TO MY VOICE.”

All the women shouted at once. They abandoned their baskets and splashed toward the bank, snatching their children from the shallows as they ran barefoot across the dark sand, the thumping of their footsteps loud in my ears as I searched Beya’s face.