Back In the Woods Save as PDF

“You weren’t worried?”

“To be honest,” he said, glancing up with a terrible mixture of misery and defiance, “I was delighted. I thought it meant we were getting somewhere. Whoever he was, he wouldn’t have bothered ringing me if the campaign hadn’t been a real threat. But now . . .” Suddenly he hunched towards me, staring me in the eye, fists pressed together. I had to fight not to lean back. “If you find out who made those calls, tell me. You tell me. I want your word.”

“Mr. Devlin,” I said, “I promise you we’ll do everything in our power to find out who it was and whether he had anything to do with Katy’s death, but I can’t—”

“He scared Katy,” Jessica said, in a small hoarse voice. I think we all jumped. I was as startled as if one of the armchairs had contributed to the conversation; I had been beginning to wonder if she was autistic or handicapped or something.

“Did he?” Cassie said quietly. “What did she say?”

Jessica gazed at her as if the question was incomprehensible. Her eyes started to slide away again; she was retreating back into her private daze. Cassie leaned forward. “Jessica,” she said, very gently, “is there anyone else Katy was scared of?”

Jessica’s head swayed a little, and her mouth moved. A thin hand reached out and caught a pinch of Cassie’s sleeve.

“Is this real?” she whispered.

“Yes, Jessica,” Rosalind said softly. She detached Jessica’s hand and gathered the child close against her, stroking her hair. “Yes, Jessica, it’s real.” Jessica stared out under her arm, her eyes wide and unfocused. 52

Tana French

. . .

They had no internet access, which eliminated the deeply depressing possibility of some chat-room wacko from halfway around the world. They also had no alarm system, but I doubted that would turn out to be relevant: Katy hadn’t been snatched from her bed by some intruder. We had found her fully and carefully dressed—yes, she always coordinated, Margaret said; she’d picked that up from her ballet teacher, whom she worshipped—in outdoor clothes. She had switched off her light and waited till her parents were asleep, and then, sometime in the night or the early morning, she had got up and got dressed and gone somewhere. Her house key had been in her pocket: she had been expecting to come back.

We searched her room anyway, partly for any clues to where she might have gone, and partly because of the brutal, obvious possibility that Jonathan or Margaret had killed her and then staged it to look as if she had left the house alive. She had shared a room with Jessica. The window was too small and the lightbulb too dim, which added to the creepy feeling the house was giving me. The wall on Jessica’s side, a little eerily, was covered in sunshiny, idyllic art prints: Impressionist picnics, Rackham fairies, landscapes from the cheerier parts of Tolkien (“I gave her all those,” said Rosalind, from the doorway. “Didn’t I, pet?” Jessica nodded, at her shoes). Katy’s wall, less surprisingly, had a strict ballet theme: photos of Baryshnikov and Margot Fonteyn that looked like they’d been cut from TV