he demanded; fear put an aggressive edge on his voice. “Have you found Katy?”
I heard a tiny sound and looked over his shoulder. A girl was standing at the foot of the stairs, holding on to the banister with both hands. The interior of the house was dim even in the sunny afternoon, but I saw her face, and it transfixed me with a bright shard of something like terror. For an unimaginable, swirling moment I knew I was seeing a ghost. It was our victim; it was the dead little girl on the stone table. I heard a roaring noise in my ears. A split second later, of course, the world righted itself, the roaring subsided and I realized what I was seeing. We wouldn’t be needing the ID shot. Cassie had seen her as well. “We’re not sure yet,” she said. “Mr. Devlin, is this Katy’s sister?”
“Jessica,” he said hoarsely. The little girl edged forward; without taking his eyes from Cassie’s face, Devlin reached back, caught her shoulder and pulled her into the doorway. “They’re twins,” he said. “Identical. Is this—
Have you—Did you find a girl who looks like this?” Jessica stared somewhere between me and Cassie. Her arms hung limply by her sides, hands invisible under an oversized gray sweater.
“Please, Mr. Devlin,” Cassie said. “We need to come in and speak with you and your wife in private.” She flicked a glance at Jessica. Devlin looked down, saw his hand on her shoulder and moved it away, startled. It stayed frozen in midair, as if he had forgotten what to do with it. In the Woods 45
He knew, by that point; of course he knew. If she had been found alive, we would have said so. But he moved back from the door automatically and made a vague gesture to one side, and we went into the sitting room. I heard Devlin say, “Go back upstairs to your Auntie Vera.” Then he followed us in and closed the door.
The terrible thing about the sitting room was how normal it was, how straight out of some satire on suburbia. Lace curtains, a flowery four-piece suite with those little covers on the arms and headrests, a collection of ornate teapots on top of a sideboard, everything polished and dusted to an immaculate shine: it seemed—victims’ homes and even crime scenes almost always do—far too banal for this level of tragedy. The woman sitting in an armchair matched the room: heavy in a solid shapeless way, with a helmet of permed hair and big, drooping blue eyes. There were deep lines from her nose to her mouth.
“Margaret,” Devlin said. “They’re detectives.” His voice was taut as a guitar string, but he didn’t go to her; he stayed by the sofa, fists clenched in the pockets of his cardigan. “What is it?” he demanded.
“Mr. and Mrs. Devlin,” Cassie said, “there’s no easy way to say this. The body of a little girl has been found on the archaeological site beside this estate. I’m afraid we think she’s your daughter Katharine. I’m so sorry.”