Back In the Penny Arcade
Chapters (17)
  1. Cover
  2. Praise for IN THE PENNY ARCADE
  3. books by STEVEN MILLHAUSER
  4. IN THE PENNY ARCADE
  5. Copyright
  6. Dedication
  7. Contents
  8. I
  9. August Eschenburg
  10. II
  11. A Protest Against the Sun
  12. The Sledding Party
  13. A Day in the Country
  14. III
  15. Snowmen
  16. In the Penny Arcade
  17. Cathay

The second piece, which lasted fourteen minutes, was heavily applauded: it was entitled Undine, an adaptation by August of the story of the water sprite and the knight, based on the novella by Fouqué. Hausenstein had been concerned lest this well-worn darling of the romantic age should prove an embarrassment, but the enchanted landscape was extremely effective, and the Undine automaton had an expressivity of gesture that was unsurpassed. The second interlude was a pas de deux from Swan Lake, danced to piano accompaniment; Hausenstein wondered whether the reappearance of the pianist—actually a second pianist exactly resembling the first—was not a mistake. But he was far more concerned about the success of the third piece, which August had created himself. Entitled Fantasiestück, though bearing no relation to Schumann, it opened with a display of toys in a toy-store window. The audience was looking at the display from the inside, for the plate glass was toward the back of the little stage, and behind it passed several recognizable Berlin types, who stopped to look before passing on. Slowly it grew dark—Hausenstein noted that the lighting effects were simply splendid—and in the dim light of the gas jets the dolls began to wake. Slowly they rose, waking to fuller and fuller life but never losing a certain clumsy, jerky motion, until with a burst of energy they joined hands and danced round and round, the wooden soldier and the English duchess and the engineer on the Nürnberg train and Madame de Pompadour—and as the first light of dawn began to break, their motions grew heavier and heavier until at last, yawning jerkily, they resumed their rigid positions in the light of another morning. The curtain closed. August, lying on his cot and smoking a French cigarette, heard dim applause. All at once the door opened and Hausenstein was seizing him by the arm and drawing him out onto the stage. Hausenstein led the applause; the audience rose to its feet. August, looking with alarm at all the standing people, kept brushing cigarette ash from his sleeve, and suddenly left the stage in confusion.