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Chapters (54)
  1. COVER PAGE
  2. PRAISE FOR HANGMAN
  3. ABOUT THE AUTHOR
  4. EPIGRAPH
  5. CHAPTER 1
  6. CHAPTER 2
  7. CHAPTER 3
  8. CHAPTER 4
  9. CHAPTER 5
  10. CHAPTER 6
  11. CHAPTER 7
  12. CHAPTER 8
  13. CHAPTER 9
  14. CHAPTER 10
  15. CHAPTER 11
  16. CHAPTER 12
  17. CHAPTER 13
  18. CHAPTER 14
  19. CHAPTER 15
  20. CHAPTER 16
  21. CHAPTER 17
  22. CHAPTER 18
  23. CHAPTER 19
  24. CHAPTER 20
  25. CHAPTER 21
  26. CHAPTER 22
  27. CHAPTER 23
  28. CHAPTER 24
  29. CHAPTER 25
  30. CHAPTER 26
  31. CHAPTER 27
  32. CHAPTER 28
  33. CHAPTER 29
  34. CHAPTER 30
  35. CHAPTER 31
  36. CHAPTER 32
  37. CHAPTER 33
  38. CHAPTER 34
  39. CHAPTER 35
  40. CHAPTER 36
  41. CHAPTER 37
  42. CHAPTER 38
  43. CHAPTER 39
  44. CHAPTER 40
  45. CHAPTER 41
  46. CHAPTER 42
  47. CHAPTER 43
  48. CHAPTER 44
  49. CHAPTER 45
  50. CHAPTER 46
  51. CHAPTER 47
  52. CHAPTER 48
  53. ACKNOWLEDGEMENTS
  54. SNEAK PEEK: HIDEOUT

‘So I’m sorry,’ she says. ‘I shouldn’t have accused you of colluding with him.’

‘It’s okay,’ I say. ‘I shouldn’t have been there at all. I should have mound my own business.’

It’s something we used to say as kids—mound rather than minded, sprunt instead of sprinted. She laughs, and my heart thaws a little.

•

‘Agent Thistle,’ Dr Norman says. ‘You always bring me the best cases.’

Norman is tall and pale, with a dry sense of humour and an unsettling way of looking at people, particularly me. I always feel like she can read my mind. She doesn’t like me much, but that’s okay. No one does.

Today her strawberry-blonde hair is mostly tucked into a blue shower cap. As usual, she shows no sign that she can feel how cold it is down here in the morgue.

The air smells bad. This meat is all too old to eat, and a lot of it has been pumped full of chemicals to preserve it.

‘What can you tell us, doc?’ Thistle asks.

Norman takes a steel tray out of a big fridge and places it on a workbench. It’s covered with Saran wrap, like a plate of leftover sandwiches after a party. She removes the plastic wrap, unveiling the hand. The wedding ring is gone.

‘Left hand of an adult male,’ she says. ‘Mid-forties, judging by the elasticity of the skin. No tattoos, no burns and no calluses on the fingertips, which would suggest a white-collar job. Removed with a serrated blade. Possibly a hacksaw.’

It was a bread knife, but whatever.

Thistle glances at me. ‘At least we have Biggs’s prints now.’

Looks like my plan worked, sort of. ‘How do you know it’s the right hand?’ I ask.

‘It’s the left,’ Norman says.

Hilarious.

‘How do you know it belongs to Biggs? Plenty of men in their forties work white-collar jobs.’

‘Get this,’ Thistle says. ‘A security guard at the university hears screaming from somewhere outside at four-thirty this morning. She has a look around. Finds nothing. Then, about two hours later, a jogger sees a pool of blood on the cycle path.’

‘I didn’t see a cycle path when we visited the school,’ I say.

‘It’s outside the fence,’ Thistle says. ‘But not far from the math department.’

‘So, no cameras?’ I say. ‘That’s a shame.’

Norman gives me a strange look. I fight the urge to touch my hair, checking it for crusted blood.

‘The jogger slows down,’ Thistle says, ‘and sees a severed hand half buried in the grass a few feet away. She calls the cops. When they show up, they can’t find the rest of the body. But they do take a wedding ring off the hand. The engraving on the inside says, Love, Gabbi. And it has the date of Biggs’s wedding engraved next to that.’

‘That does sound fairly conclusive,’ I say.