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Chapters (54)
  1. COVER PAGE
  2. PRAISE FOR HANGMAN
  3. ABOUT THE AUTHOR
  4. EPIGRAPH
  5. CHAPTER 1
  6. CHAPTER 2
  7. CHAPTER 3
  8. CHAPTER 4
  9. CHAPTER 5
  10. CHAPTER 6
  11. CHAPTER 7
  12. CHAPTER 8
  13. CHAPTER 9
  14. CHAPTER 10
  15. CHAPTER 11
  16. CHAPTER 12
  17. CHAPTER 13
  18. CHAPTER 14
  19. CHAPTER 15
  20. CHAPTER 16
  21. CHAPTER 17
  22. CHAPTER 18
  23. CHAPTER 19
  24. CHAPTER 20
  25. CHAPTER 21
  26. CHAPTER 22
  27. CHAPTER 23
  28. CHAPTER 24
  29. CHAPTER 25
  30. CHAPTER 26
  31. CHAPTER 27
  32. CHAPTER 28
  33. CHAPTER 29
  34. CHAPTER 30
  35. CHAPTER 31
  36. CHAPTER 32
  37. CHAPTER 33
  38. CHAPTER 34
  39. CHAPTER 35
  40. CHAPTER 36
  41. CHAPTER 37
  42. CHAPTER 38
  43. CHAPTER 39
  44. CHAPTER 40
  45. CHAPTER 41
  46. CHAPTER 42
  47. CHAPTER 43
  48. CHAPTER 44
  49. CHAPTER 45
  50. CHAPTER 46
  51. CHAPTER 47
  52. CHAPTER 48
  53. ACKNOWLEDGEMENTS
  54. SNEAK PEEK: HIDEOUT

‘I’m fine,’ I say. ‘All those women Shannon had naked pictures of? They’re helping him. Whenever he needs a place to stay or a ride, he …’ I think about it. ‘In fact, I bet he took the grey hatchback. He probably told the Asian girl to report it stolen, but not until he had a head start. That would be the smart play.’

‘Well, he won’t stay off the radar long,’ Thistle says. ‘His face is all over the news now. Someone will spot him soon.’

She pats the seat next to her. I sit down.

‘Sorry I hit you with the door,’ she says. ‘There was a lot of blood.’

Most of it probably belonged to the guy I bit. ‘I’m fine,’ I say again.

‘You’ve earned a break. And we’ve exhausted all our leads. Why don’t you let me take you home?’

‘We’re not done,’ I say. ‘We still don’t know who the blonde woman is, or Fred. And we’re not even a hundred per cent on Luxford’s motive.’

‘I know what it’s like to not want to stop,’ Thistle says. ‘After I got shot—’

Her phone rings. She sighs, and answers. ‘Thistle.’

She listens for a while, and then says, ‘Got it, thanks,’ and ends the call.

‘We have a DNA match on the blonde hair from Biggs’s car,’ Thistle says. ‘It belongs to Armana Black. Houston resident, with a past conviction for prostitution. Units out looking for her now.’

A name at last. I heave myself to my feet. ‘Let’s go.’

‘I’m taking you home,’ Thistle says. ‘You need rest.’

‘But—’

‘You can talk to her when we bring her in. Okay?’

I nod. ‘Okay.’

I do have things to do at home. But rest isn’t one of them.

As we walk out, I glance through each door we pass. Most of the patients are old, but there’s nothing visibly wrong with them. Tubes go to their arms, but the more powerful drug is the TV flashing on the wall. The news babbles about another school shooting, this time in Missouri. The patients stare at the TV, anxious but motionless, somehow wound up and pacified at the same time.

As I pass one of the rooms, I see a young man. Most of his face is bandaged. Only one eye, his nose and part of his mouth are visible.

But I recognise him. He’s one of the three guys who attacked me. The one who found a severed hand in my pocket, right before I bit his cheek off.

His eye focuses on me, and widens. He screams. The movement pops his stitches, turning the bandages pink.

Thistle turns to look, alarmed. ‘Jesus,’ she says. ‘What’s going on in there?’

‘No idea.’ I hustle her along the corridor. ‘Let’s get out of here.’

She slows down. ‘Maybe that guy needs help?’